Kinship attributed to particular texts, tellings or fictional continuities. Different witnesses can preserve different families; these records do not establish biological descent.
Attributed narrativeA Laung Khit, pp. 9–18, in Griggs’s English retelling.
Read with: A Laung Khit (Sau Maha Khit)
Method, limits & sources
Birth identifies Myeh Khit as mother; dialogue and narration explicitly identify Lord Sa Kyah as father.
Joint-parent root groups two stated parents without implying their marriage or ordinary reproductive mechanism. Frog and handsome man are the same child’s forms. The royal father-in-law is a separate person, not Sa Kyah.
Attributed narrativeTale XII, pp. 77–79, in the collectors’ retelling.
Read with: Adzanumee
Method, limits & sources
The woman names the transformed girl, and both repeatedly identify their mother–daughter relationship.
The yam becomes and later ceases to be the daughter; forms are not separate generations. No father or siblings are supplied. This edition retells collected material rather than presenting original transcripts.
Attributed narrativeAmanna and Her Talkative Husband, pp. 251–252.
Read with: Amanna
Method, limits & sources
Explicit father–daughter and mother–children statements.
No names or sexes are supplied for the three children or grandfather. The husband’s other relatives are not included; the children’s later fate is unstated. The tree does not generalize to every Okoyumo.
Attributed narrativeComplete no.80 narrative and note, pp.425–426.
Read with: Ang-ngalo
Method, limits & sources
Opening explicit only son of the god of building designation.
The father has no personal name; no mother, partner or descendants of Ang-ngalo are supplied. The note’s different creation attribution remains separate, and Sipgnet, Angin and Asin are not inferred relatives.
Attributed narrativeVersion A, English pp. 167–169.
Read with: Ngana Ngulungu, the Framed Grandson
Method, limits & sources
Joint stated parents connected to their unnamed child.
No names, further children or ancestors are inferred. Note 482 explains the polite “our wife” expression; it does not establish a shared marriage. Monkey’s later permission to marry the host’s daughter is not represented as a completed wedding.
Attributed narrativeThree explicitly linked generations in the Note to Arawidi, pp. 29–30.
Read with: Royal vultures (Tapacuma account)
Method, limits & sources
Express daughter-of-Anuanima statement, marriage and identification of the hunter’s own son.
Brett presents a fragmentary outline attributed collectively to Arawaks of Tapacuma, without an individually named narrator. The daughter and grandson have no personal names. Their human and bird forms do not create different people; no kinship among the supporting birds is inferred. The grandson’s father is the hunter, not Anuanima.
Attributed narrativeGaygayoma pp. 37–43 and Dumalawi/Kanag pp. 44–55, with Cole’s preface alias note.
Read with: Aponitolau · Aponibolinayen · Gaygayoma · Kanag · Takyayen
Method, limits & sources
Explicit parentage and half-brother statements in Cole’s English collection; editor’s alias identification retained.
These are source-specific translated narratives, not one universal Philippine pantheon. Unnamed attendants are not relatives. Alias equivalence does not erase differences between episodes.
Attributed narrativeThe steed’s parentage in Canto IV, stanza XVIII, in Rose’s translation.
Read with: Hippogriff
Method, limits & sources
The stanza explicitly names the sire and dam types.
Literary genealogy, not real interspecies reproduction or a lineage for all later adaptations. Parents are unnamed individuals, not whole creature classes. The wizard’s training is not parentage. No Virgil influence is inferred.
Attributed narrativeComplete French telling, printed pp. 90–91, DjVu pages 128–129.
Read with: Ash-Gift Jinn Household of Ouarga
Method, limits & sources
Explicit brother, sister and shared-mother statements; marriage noted on the daughter without creating an offspring branch.
All relatives are unnamed; father and sibling birth order are unstated. The woman’s reported jinn marriage does not establish fairy birth or any children. The title and body’s descriptions remain distinct.
Attributed narrativeThe explicitly stated father–son pair in the dog episode.
Read with: Maui Atalanga (Tongan Telling) · Maui Kijikiji (Tongan Telling)
Method, limits & sources
Atalanga is called Kijikiji’s father, and Kijikiji his son.
Motua is omitted: printed p.45 lists him among Atalanga’s brothers, but p.47 calls him father. The later joint paternity of Tuimotuliki belongs to a separate episode and is shown separately.
Attributed narrativeTremearne’s distinct informant qualifications in the 1914 notices, pp. 316–318.
Read with: Kuri · Doguwa · Mai-Aska · Sambo
Method, limits & sources
Mai-Aska is a son of Kuri/Uwar-Dowa according to some; Sambo is a younger son of Kuri/Doguwa Na Daji according to most.
Joint root groups two named parents. The labels preserve different attribution strengths. Some instead call Sambo the forest aspect’s husband; this contradictory marital version is recorded separately in prose, not drawn simultaneously as descent. The two son reports do not independently state full brotherhood or a shared universal pantheon. House and forest aspects are not silently interchangeable. This is textual religious genealogy, not biological evolution.
Attributed narrativeTremearne’s selected 1914 historical Bori notices, pp. 350–351.
Read with: Ba-Toye · Gajere Mai-Dowa · Doguwa
Method, limits & sources
Prose explicitly names Gajere and Uwar-Dowa as parents; the song separately names the mother.
Joint-parent root groups two individuals. The collector admits confusion over Gajere / Kuri identity; this tree retains Gajere rather than merging alternate names. Uwar-Dowa refers to the forest-aspect naming scope, not every Doguwa manifestation. These are attributed historical religious relationships, not biological phylogeny or a universal contemporary doctrine.
Attributed narrativeOnly the forty-one-daughters tale summarized on pp. 156–157.
Read with: Baba Yaga
Method, limits & sources
Explicit maternal relationship in Ralston’s source discussion.
Collective tip preserves the stated count; individuals and their father are unnamed. Other Baba Yaga tales are separate versions. The husbands’ egg origin is not the daughters’ parentage.
Attributed narrativeThe complete third Thunder story, Of the Woman who married the Thunder, and of their Boy.
Read with: Thunder spirits of Katahdin
Method, limits & sources
Explicit old father, named son and daughter, completed marriage, and expressly identified father and grandfather of the boy.
The immediate text names no individual narrator and does not explicitly name the mountain Katahdin. This family is kept separate from Josephs’s two-brother household and Mitchell’s transformed visitor. No mother of Badawk or Lightning is supplied.
Attributed narrativeExplicit father, son and father’s two siblings in this 1916 collection’s telling.
Read with: Bantugan in Cole’s Mindanao account · Balatama
Method, limits & sources
Opening parentage and sibling statement, repeated father–son addresses and note 7.
The root groups siblings; it is not an invented common parent. Earthquake and thunder receive no additional personal identities. Bantugan’s later wife is not stated to be Balatama’s mother.
Attributed narrativeThree explicitly connected generations in the Sultan’s household, this telling only.
Read with: Bantugan’s wife within Timaco
Method, limits & sources
The Princess is the Sultan’s daughter; the Sultan summons his own father to identify the approaching flags.
All three personal names are unspecified. The Princess’s siblings are mentioned without names; their number is not fixed. Marriage to Bantugan is documented separately, without inventing their children.
Attributed narrativeAurora tale III.12, pp. 404–406.
Read with: Snake Mother of Basi
Method, limits & sources
Basi’s mother is explicitly a snake. The other girl is first tentatively called a sister, then both girls refer to a shared mother.
The narrator’s initial sister qualification is retained. No father or full-versus-half-sibling distinction is supplied. Dovaowari is Basi’s husband and the snake’s son-in-law, not her offspring.
Attributed narrativeThe Story of Prince Sobur, pp. 128–130.
Read with: Bihangama and Bihangami
Method, limits & sources
The returning mates expressly identify the two nestlings as their offspring.
The root labels a joint parental pair, not one organism. Nestlings remain unnamed and without a stated zoological species. The Hiraman tale’s unspecified chicks are a separate narrative witness, not assumed to be these same two birds. The miraculous cure is narrative content, not medical guidance.
Attributed narrativeThe Son of Seven Mothers in Steel’s 1894 collection.
Read with: Son of seven mothers in Steel’s Punjabi tale
Method, limits & sources
Explicit childbirth, kinship and family recognition in the named tale.
The other six queens are additional caring mothers, not additional birth mothers. Their six murdered babies are paternal half-brothers; no individual names are supplied.
Attributed narrativeSelected Basilicata telling, pp. 144–145 within complete Lionbruno pp. 136–147.
Read with: Borea, Wind-mother in Lionbruno · Sirocco in Lionbruno
Method, limits & sources
Explicit mother, sons, brothers and youngest-child statements.
The other winds are unnamed and their number is unstated. No father is supplied. Polite aunt/my-son addresses to Lionbruno are excluded; no classical family is imported from an editorial name gloss.
Attributed narrativeBorevui and her Three Brothers, pp. 131–134.
Read with: Borevui
Method, limits & sources
Borevui’s explicit sister identification and the three distinct brothers in the narrative.
The root groups stated siblings and is not an invented parent. Borevui emerges at their dead mother’s grave; emergence is not presented here as an ordinary birth or the mother’s resurrection. Brothers remain unnamed; no father or maternal/paternal side for the grandmother is supplied.
Attributed narrativeOnly the opening’s expressly narrated birth in Another Story of Another Bukolla.
Read with: Búkolla in the Second Icelandic Tale
Method, limits & sources
The single branch records the cow’s calving.
The calf is unnamed, and its father and subsequent fate are unstated. The earlier Bukolla tale is a separate witness. Ownership of the pursuing bull does not make him this calf’s father.
Attributed narrativeOnly the named Bukidnon telling in Cole’s 1916 collection, pp.131–132.
Read with: Bulanawan · Aguio in Cole’s Bukidnon telling
Method, limits & sources
Explicit opening parentage and the concluding recognition of Langgona’s father as the twins’ grandfather.
The mother is Langgona’s unnamed wife, stated in the opening. Other arriving “brothers” are not assigned to this family because their exact kinship is unclear. This is not a merged genealogy of other Agyu traditions.
Attributed narrativeXXII, English pp. 156–158, following the complete pp. 152–158 account.
Read with: Bulane, the Invisible Water Chief
Method, limits & sources
Named spouses linked to their explicitly acknowledged son.
The son’s personal name is unstated. Senkepenyane is his mother’s younger sister, not another mother or wife. Mabulane is named as the mother-in-law but no wider pedigree is inferred. This telling remains separate from Monyohe XVIII–XXI despite the recurring name Senkepeng.
Attributed narrativeComplete English adaptation, pp. 121–129; separate mothers, brother-address and royal marriage.
Read with: Busujok and Siminok, the Two Stars
Method, limits & sources
Two stated birth relationships rendered side by side; top grouping is not a shared ancestor.
Siminok’s father is unstated. Identical appearance, simultaneous births and mutual brother-address do not prove common biological parents. Only Busujok marries the princess. Fish consumption does not identify a fish parent, and the closing stars preserve individual identity. Romanian originals have not been collated.
Attributed narrativeXVIII, Buttercup only.
Read with: Buttercup’s Head-Carrying Hag
Method, limits & sources
Explicit family relationships in the named translated tale.
The story explicitly identifies her daughter and separately her husband. It does not explicitly identify the husband as the daughter’s father, so that paternal link is omitted.
Attributed narrativeNamed sibling pairs and marriages in the complete LXXVI telling, pp. 396–400.
Read with: Tornado and Wave (Nancy Jeddore’s account) · Calm and Foam (Nancy Jeddore’s account)
Method, limits & sources
Two sibling groupings; spouse names appear on individual labels rather than connecting grouped profiles as undifferentiated couples.
Grouping roots are not ancestors. Both pairs have living parents, but names and a complete pedigree are not supplied. The closing father Tornado and his younger brother Wave remain distinct from the opening sons with those same names. No children of the two marriages are stated.
Attributed narrativeComplete no.53 narrative and separate comparison, pp.361–363.
Read with: The denied dog mother
Method, limits & sources
Explicit childbirth and named daughters, with stated oldest/middle/youngest order.
The king is an owner, not a supplied father. Each daughter’s prince husband is unnamed and no descendants are stated. The comparative Indian story has two daughters and reversed daughter roles; it is not blended with this household.
Attributed narrativeMunduruku-labelled Rio Tapajós account, printed pp. 245–251; Portuguese interlinear and continuous rendering.
Read with: Cáru Sacaiby (Rodrigues’s Tapajós account) · Rairu (Rodrigues’s Tapajós account)
Method, limits & sources
Explicit father–son statements, particularly the opening of the continuous Portuguese rendering on p. 250.
No mother, siblings or descendants are supplied. This is a textual relationship, not natural evolutionary ancestry. The adjacent Yurukaré Tiri/Karu account and the collector’s comparative naming conjectures are excluded. Original-language text was not independently translated.
Attributed narrativeNorwan, pp. 95–101.
Read with: Chir Chuma and the Chir Pokaila sisters · Sehinom Chabatu
Method, limits & sources
Narrator-stated sibling group, with the first woman’s grandchild separately labelled.
The grouping root is not an ancestor. The two Chir Pokaila women are distinct despite sharing a name. The edge to Sehinom skips an unspecified parent generation. Kawas relationships conflict elsewhere and are excluded rather than forced into this pedigree.
Attributed narrativeComplete no.29 narrative and separate comparative notes, pp.244–248.
Read with: Chonguita
Method, limits & sources
Explicit daughter and mother designations in the main narrative.
No father, siblings or children of Chonguita are stated. Don Juan’s king father is her father-in-law, not birth father. Monkey guards are not inferred siblings. Indian, Greek and Visayan parallels in the notes remain separate versions.
Attributed narrativeComplete A Bad Sister, historical English rendering; Krönlein manuscript cited by Bleek, not independently inspected.
Read with: Copper and Weather (Bleek’s Fiery-Rain Tale)
Method, limits & sources
Explicit spouses, daughter and three brothers subsequently called their sons.
No individual child names or birth order are supplied. The daughter’s marriage is stated but her spouse is unnamed. Collector terminology does not establish a genealogy for present-day communities.
Attributed narrativeThe translated History of Creation B in Budge’s 1912 Legends of the Gods, not his introductory harmonization.
Read with: Shu · Tefnut · Osiris · Set · Isis · Nephthys
Method, limits & sources
Retain the explicit final statement that Shu and Tefnut brought forth Osiris, Heru-khenti-an-maa, Set, Isis and Nephthys.
Creation A explicitly inserts Geb and Nut as parents of this group; B’s displayed wording does not, and that difference is preserved. Joint root groups two divine producers, not one organism. The Horus name remains unlinked to avoid conflating distinct Horus parentage. This historical translated recension is not biological evolution or a modern critical edition. The shared leaf set with Creation A is intentional: these are substantively different textual witnesses, not duplicated topology.
Attributed narrativeThe Bou tale as published by Annie Ker in 1910.
Read with: Dabedabe the Good, Pig-Born Human Benefactor
Method, limits & sources
Explicit parentage in Ker’s historical English telling.
Unnamed relatives remain unnamed. Human and pig births are narrative assertions; no zoological lineage is inferred. The pig owner’s form of address is not proof of birth fatherhood.
Attributed narrativeIII.—30, the 1879 narrative and its explanatory notes, pp.84–97.
Read with: !Ko-g!nuing-tara, Dawn’s-Heart’s Wife · Dawn’s-Heart, Star Husband · Hyena Impostor of Dawn’s-Heart’s Household
Method, limits & sources
Explicit sister, wife, sister-in-law and mother designations in the printed account.
The root groups siblings; it is not an unnamed parent. The child’s sex and paternal descent remain unspecified here. The appended 1875 report has different family details and is excluded. The hyena’s mistaken marriage is not kinship with the real wife. The younger sister’s OCR name is uncertain.
Attributed narrativeMutually explicit sibling statements, pp. 45–47.
Read with: Dokos, Wima and Klak
Method, limits & sources
Three sibling branches, with no ancestor node.
The grouping root is not a parent. No birth parents or ages are given. The characters’ transformed mineral and animal identities belong to this source’s narrative, not zoological phylogeny.
Attributed narrativeStan Bolovan, complete English adaptation, pp. 1–15.
Read with: The Dragon and His Mother in Stan Bolovan
Method, limits & sources
Repeated literal mother–son statements.
Both dragons are unnamed; no father, sibling or intermediate ancestor is supplied. Stan is a human servant. The inherited club’s unnamed ancestors do not establish a longer genealogy. Romanian originals have not been collated.
Attributed narrativeSchiefner/Ralston English translation, actual 1906 edition, story V; named parentage pp. 54 and 71–74.
Read with: Druma · Manoharā
Method, limits & sources
Repeated explicit father–daughter identifications support this single branch.
Kah-gyur ii. 202–209 is the translator’s edition locator; the Tibetan original has not been independently collated. Attendants and identical Kinnarīs are not assigned kinship. Sudhana’s father-address to Druma is affinal; marriage is not a descent edge.
Attributed narrativeKeukw’s wedding reception on p. 116 and explicit daughter identification at the ending, p. 119.
Read with: Kaktoogwasees / Little Thunder (Rand’s account)
Method, limits & sources
One father-to-daughter branch records the marriage on the daughter’s label.
The bride and her mother are unnamed; no mother is reconstructed. Keukw’s son-in-law greeting agrees with the completed wedding and final narrator identification. No descendants are stated.
Attributed narrativeComplete VII interlinear glosses, Portuguese rendering and notes, pp. 227–230.
Read with: Epépim and his star-transformed brothers
Method, limits & sources
Explicit opening brotherhood and one designated married brother.
Sibling grouping, not a parent node. Names are final celestial identities, not invented birth names. Birth order, parents and children are unstated. Only one brother is explicitly the killer; collective closing punishment is not additional evidence of a second killing. The collector’s Greek Orion footnote is commentary, not shared parentage.
Attributed narrativeNamed daughters sharing one unnamed father, with Fatima’s unnamed son; this Bakhtiari telling only.
Read with: Fatima of the luminous reed-whistle tale · Four Eyes and Four Stumps (Char-te and Char-angila)
Method, limits & sources
Explicit parentage and birth statements on pp. 256–258 and 264, within the complete pp. 256–268 tale.
Fatima’s mother and the tattooer are different mothers. Both later daughters link to their collective profile; no extra individual profiles are invented. The text later calls them stepsisters despite its shared-father account. Fatima’s reed and whistle retain her identity. Alla Zingi’s affectionate child address is not biological parentage.
Attributed narrativeManaós-attributed witness, complete interlinear and Portuguese rendering pp. 139–140.
Read with: Merereua Yurupari (Manaós account)
Method, limits & sources
The former wearer’s direct daughter statement, with the two recipients distinguished by the one-each gift instruction.
Names, mother and birth order are unstated. The father is the speaker returning from his bath, not the hunter who has put on the skin. Transfer of a predatory identity is not transfer of biological parentage; no spouse relation to either daughter is supplied.
Attributed narrativeThe complete LXXII narrative and note, pp.275–283.
Read with: Frog King’s tenth daughter
Method, limits & sources
Explicit father/daughter introduction, completed marriage and two-son ending.
The princess is called tenth daughter, but other daughters are not separately rendered. The sons are unnamed. The rejected Yuan marriage is excluded. The closing real-population identification is a prejudicial editorial claim, not verified biological descent or ethnography.
Attributed narrativeComplete pp. 53–68 narrative; encounter p. 61.
Read with: Storm-Wind and Frost of the Ferryman’s Journey
Method, limits & sources
Frost explicitly identifies his daughter.
Mother unnamed. Intended Storm-wind marriage is not depicted as completed. Storm-wind and Frost are not inferred biological brothers; the grouped profile remains a pair of helpers.
Attributed narrativeBusk’s 1873 Birth narrative, pp. 266–273.
Read with: Gandharva, Vikramâditja’s father · Vikramâditja in Busk’s throne cycle
Method, limits & sources
Two wives and their separately stated sons; Gandharva’s explicit acknowledgement of the prince.
The earlier son and second wife remain unnamed. Social rank is attributed to the narrative. The serpent-gods nurse the exposed prince but are not his biological parents. Other versions of Vikramaditya are not combined with this translated witness.
Attributed narrativeThe explicit mother–son relationship in Annie Ker’s 1910 English-language telling.
Read with: Garawada, Crab-Transformed Mother
Method, limits & sources
Parentage stated directly in the narrative; the unnamed son is retained as a source-specific node.
The boy’s uncle is explicit, but his maternal or paternal side is unstated and therefore omitted from this branching representation. Garawada’s witch mother-in-law is a marriage relative, not established as her biological mother. Crab transformation and ginger nourishment are not additional parentage.
Attributed narrativeGaygayoma pp. 37–43; celestial descriptions are narrative identities.
Read with: Bagbagak · Gaygayoma
Method, limits & sources
Explicit parentage and half-brother statements in Cole’s English collection; editor’s alias identification retained.
These are source-specific translated narratives, not one universal Philippine pantheon. Unnamed attendants are not relatives. Alias equivalence does not erase differences between episodes.
Attributed narrativeThor’s Journey to Geirrod’s, Anderson translation, pp. 178–179.
Read with: Geirröðr · Gjálp and Greip
Method, limits & sources
Both women are explicitly identified as Geirrod’s daughters in the prose.
The collective profile links from both named daughters; it is not a third child. No mother or additional descendants are supplied. Textual parentage only.
Attributed narrativeThe complete LXXI narrative and note, pp.265–275.
Read with: Giauna
Method, limits & sources
The youth’s explicit little sister and father’s only daughter designations.
Father, brother and husband are unnamed. No mother or children of Giauna are supplied. A-Sung’s cousin relationship is explicit, but its maternal or paternal side is not. Kung’s like-a-brother friendship is excluded from the descent branches.
Attributed narrativeMain tale 71, The Woman who Bore a Clay Pot, pp. 354–357.
Read with: Gift-of-God, the Pot-born Boy
Method, limits & sources
The narrator explicitly identifies the woman as mother and the emerging boy as son.
Divine granting of conception is not separately stated paternal parentage. The pot is the extraordinary birth and dwelling vessel, not another organism or parent. No father or siblings are inserted.
Attributed narrativeBlessing or Property, English pp. 393–409; parent identification on p. 407.
Read with: Grateful Snake of Blessing or Property
Method, limits & sources
The snake explicitly identifies both parents; family addresses to the woman are excluded from biological branching.
All three serpent-household figures are unnamed. The human woman’s actual parents and brother occur in a distinct opening household. Father/mother/brother language following rescue does not establish biological kinship across those households or a formal adoption ceremony.
Attributed narrativeBrodeur’s complete XVIII account of Thor’s visit to Geirrödr, pp.121–129; the parentage sentence is p.122.
Read with: Gríðr, Thor’s Giantess Host
Method, limits & sources
Explicit mother of Vídarr the Silent designation in the prose introduction.
No father or additional children are supplied by this episode. Grídr’s help to Thor is not a maternal relationship. Prose Loki and verse Thjálfi companion differences are not kinship and are not harmonised here.
Attributed narrativeThe explicitly named daughter and her two distinct parents in The Daughter of the Witch.
Read with: Guiomar, the Witch’s Daughter · Guiomar’s Mother in Pedroso’s Tale
Method, limits & sources
A joint-parent heading branches to Guiomar; her final husband is labelled beside her.
Both parents and the prince are personally unnamed. The father is not explicitly called a witch. No offspring of Guiomar’s marriage are supplied; disguises are appearances of the fugitives, not extra relatives.
Attributed narrativeThe stated countryman parents and later completed marriage in this English telling.
Read with: Hans the Hedgehog
Method, limits & sources
Parent-to-child branching follows the explicit birth and father/son identification. Marriage is recorded in the son’s label, not drawn as offspring.
Unnamed relatives retain source roles. The first king’s rejected daughter is not labelled a wife. Skin removal changes Hans’s appearance, not his stated parentage; the king giving him the realm is his father-in-law, not his birth father.
Attributed narrativeComplete Adventure III, The Fox and the Crow, pp.243–250.
Read with: Harakka, the Magpie Threatened by Mikko
Method, limits & sources
Repeated narrator and mother designations of her fledglings as her children.
No father, personal names or total brood count is given. Two fledglings are surrendered; the number remaining is unspecified. Varis is a friend, and Mikko is a predator, not a relative.
Attributed narrativeSelected named notices in Tremearne’s 1914 historical Bori account, pp. 301–302, 306–307.
Read with: Nana Magajiya · Mallam Ali Geshe · Haukachi
Method, limits & sources
The mother notice names her only child; the Geshe notice independently calls him Haukachi’s father.
Joint root groups two parents. Other children she nursed are not added as births. Yerima’s protective care does not make him another biological parent. This is source-specific religious genealogy, not biological descent or universal contemporary doctrine.
Attributed narrativeRepeated narrator brother statements on pp. 183-187 and 195-196.
Read with: Hawt, the body-playing musician · Sanihas Yupchi (Curtin’s Wintu account)
Method, limits & sources
Parallel branches show stated siblings under a grouping heading, not an ancestor.
No parents or birth generations are supplied here. Grandfather and grandson forms of address elsewhere are not used to invent a wider pedigree. This is Curtin’s English narrative witness, not a universal account of Wintu relationships.
Attributed narrativeComplete The Raisin-Eater, historical English rendering; underlying Krönlein manuscript not independently inspected.
Read with: Heitsi Eibip (Bleek’s Nama Witnesses)
Method, limits & sources
Explicit named father and son.
The unnamed young second wife is not assigned as !Urisip’s mother. No first wife’s name, additional child or maternal ancestor is supplied. The account’s death and recovery are narrative events, not a general biological model.
Attributed narrativeThe complete Thaumas–Electra household passage, Theogony 265–269, Evelyn-White translation.
Read with: Harpies
Method, limits & sources
Explicit named joint parentage and three individually named children.
Aello and Ocypetes represent this text’s Harpy pair; no later added Harpy names or descendants are imported. Iris is a separate sibling. Birth order is unstated, and no natural bird genealogy is implied.
Attributed narrativeThe named story’s opening and cattle-kraal scene only.
Read with: Hlakanyana
Method, limits & sources
Explicit relationships in the named source witness.
This collector’s witness is kept separate from Werner’s synthesis and other tellings; it does not establish ancestry of a real weasel species.
Attributed narrativeExplicit English parentage, sibling, grandmother and birth statements in this telling.
Read with: Hoamakeikekula
Method, limits & sources
The maternal generation chain follows the stated mother–daughter relationships.
Source-specific narrative family, not a modern pedigree. Taro and human forms are one daughter; wooden-image form is the child’s birth appearance. Puuonale is the named spouse, but the tree does not independently infer a paternity statement. Hawaimake is a caregiver; his biological parentage of Pili remains unspecified. Hawaiian original not independently translated.
Attributed narrativeThe opening father and three sons, pp. 170–174.
Read with: Hong Kil Tong in Allen’s telling
Method, limits & sources
Express two-sons-by-wife and one-son-by-concubine statements; subsequent naming of Kil Tong.
Allen’s English literary rendering is this tree’s witness, not an exhaustive genealogy of all Hong Gildong versions. The elder sons share one mother; Kil Tong has another. The plotting dancing-girl concubine is not his mother. Hong Pansa is used for father and later son, not evidence they are one person. No dragon ancestry is inferred from the father’s dream.
Attributed narrativeGriggs’s creation account, pp. 89–91.
Read with: Hsin Kyan · Nang Hsa Nae
Method, limits & sources
Explicit fatherhood and eldest/youngest designations.
The grouped terminal represents five daughters, not one child. Mother unspecified. Sa Kyah refuses the promised marriage; bird address does not establish kinship.
Attributed narrativeComplete The Dangerous Reward narrative and accompanying note, pp.174–177.
Read with: Hu-Wu-Bau’s father as field-god
Method, limits & sources
Explicit father–son identification and the Mountain Lord’s express identification of grandchildren.
The father and grandchildren have no personal names, and the children’s number and sexes are unstated. The text says nearly all children die, not all. The Mountain Lord and river-god’s separate family is not joined to this pedigree.
Attributed narrativeThe three children at p. 25.
Read with: Te-moo-nieve in Haapuani’s Hivaoa Narrative
Method, limits & sources
Explicit parent and birth statements.
This Hina is not equated with other Polynesian figures. No modern descendants are asserted. Tuapuu’s separately named account is not merged.
Attributed narrativeWerner XI’s concluding alternative attribution.
Read with: Huveane
Method, limits & sources
Explicit relationships in the named source witness.
This alternative is not merged with the child-in-the-tree pedigree. Werner’s colonial framing is not adopted.
Attributed narrativeWerner XI, the child-in-the-hollow-tree narrative.
Read with: Huveane
Method, limits & sources
Explicit relationships in the named source witness.
Creation from clay is a separate version. No mother or birth mechanism is invented.
Attributed narrativeThe opening’s named siblings and completed marriages in Ralston’s translation.
Read with: Bird Husbands of Marya Morevna
Method, limits & sources
Parent-to-child branches follow the shared deceased parents; spouses are recorded beside siblings rather than drawn as descendants.
Princess Marya and Marya Morevna are separate characters. Falcon, Eagle and Raven are brothers-in-law through marriage; shared biological parentage between them is unstated. No children of these marriages are supplied.
Attributed narrativePortuguese rendering pp. 114–118; maternal sequence on p. 115.
Read with: Izi / Yurupari (Yaui-Tariana account)
Method, limits & sources
The expressly narrated woman→daughter→son succession, with paternal claims excluded.
The two women are unnamed. The opening specialist attributes the earlier pregnancies to a great snake; Izi’s own mother identifies no father after eating fruit. The sun’s my-son address is not adopted as paternity. This witness is not merged with the separately printed Dacé/Tukano account or presented as contemporary community genealogy.
Attributed narrativeTwo named characters within the Hutt species.
Read with: Hutt
Method, limits & sources
Official Lucasfilm text explicitly identifies Rotta as Jabba’s son.
Character genealogy, not species evolution. Mother and exact connections to the Twins are excluded.
Attributed narrativeFrog Princess, pp. 10–13, within the complete pp. 1–14 narrative.
Read with: Jandza and Her Two Helping Sisters
Method, limits & sources
Explicit sister directions and description of the oldest helper.
Sibling grouping, not a parent node. Only the first helper has a name; no common named parent, children or biological relationship to the princess is stated.
Attributed narrativeSame English translation, story V, pp. 49–50, prior to the Sudhana birth episode.
Read with: Janmachitra
Method, limits & sources
Janmachitra explicitly consults his father and mother before transferring the Amogha-chain.
Joint parent label is a grouping of two stated parents, not a single organism. Neither parent is named. No original-language manuscript collation or wider Nāga pedigree is implied.
Attributed narrativeTremearne’s selected 1914 historical Bori notices, pp. 343–346.
Read with: Jigo · Gajere Mai-Dowa · Dan Jigo · Mahalbiya
Method, limits & sources
Individual notices explicitly name Jigo as father of Gajere, Dan Jigo and Mahalbiya.
No mother is named. The generic praise Father of the Hunters does not add all hunters as offspring. Disputed Gajere / Sarikin Bakka identity is not harmonized. These are attributed historical religious relationships, not biological phylogeny or a universal contemporary doctrine.
Attributed narrativeOpening father-and-son statement, marriage on p. 134 and collective descendants on p. 140.
Read with: Jiraiya’s Frog Forms
Method, limits & sources
The two descendant generations are shown collectively; Tsunade is labelled as wife alongside Jiraiya.
No mother of Jiraiya is supplied. Grandchildren are a collective generation, not children of a specified individual child. Magical mentors are not parents; the source gives no descendant names or counts.
Attributed narrativeThe complete hunter’s visit attributed by Leland to Tomah Josephs, labelled Passamaquoddy.
Read with: Thunder spirits of Katahdin
Method, limits & sources
Explicit father, daughter and two sons in this one collected account.
No mother or personal family names are supplied. The two giant brothers are not merged with Badawk and Psawk-tankapic in the separately collected marriage account. Leland’s proposed Arctic or Norse connections are not treated as established origin.
Attributed narrativeComplete no. 18 narrative and notes, pp. 171–178.
Read with: Juan’s animal brothers-in-law
Method, limits & sources
Explicit parents, three daughters, later-born son and three distinct husbands.
The brides’ birth order is unspecified. The grouped entry represents the three husbands without claiming that they are biological brothers. No children of those marriages are stated. Notes’ Pedro-and-giants variant and human restoration in Basile remain separate; Fansler’s proposed transmission history is not proved by this graph.
Attributed narrativeComplete chapter IV, pp. 18–24.
Read with: Ka Pah Syntiew
Method, limits & sources
Explicit father revelation, adoption, marriage and children statements.
Textual family, not verification of current community ancestry. Foster father U Mylliem Ngap is distinct from biological divine father. Her mother is not individually named. Children remain one unnamed collective with no exact count or invented descendants.
Attributed narrativeAdi Parva XVI’s thousand-serpent brood, with named examples from LXV.
Read with: Nāga
Method, limits & sources
Explicit relationships in the named source witness.
The five names are examples within the thousand, not five extra sons. Other scriptural genealogies are separate witnesses. No claim is made about all nāga traditions or natural snake ancestry. The collective brood node groups named examples visually; it is not an intervening generation.
Attributed narrativeSelected Hawaiʻi Volcanoes National Park moʻolelo.
Read with: Kamapuaʻa
Method, limits & sources
Explicitly named parents.
Versions vary. Unnamed grandmother and siblings are excluded. This is genealogy, not animal ancestry.
Attributed narrativeExpress sibling statements, pp. 5 and 14.
Read with: The Katkatchila brothers · Pohila and the fire household
Method, limits & sources
Sibling grouping with Yonot’s own family shown beneath her.
The grouping root is not an ancestor. Parents of these siblings and Yonot’s birth order are unspecified. Tilikus is Yonot’s husband and Pohila’s father, not another sibling.
Attributed narrativeThe English translation’s three-son household, pp. 522–532.
Read with: Kaulu in the Fornander Collection
Method, limits & sources
Explicit opening parentage and birth order; ending marriage statement.
Source-specific narrative genealogy, not a modern pedigree. Unprofiled relatives remain names. Kaulu’s rope form is the same child, not an additional relative. Kekele is his later wife; the text explicitly denies children. Similar names elsewhere are not merged. Hawaiian original not independently translated.
Attributed narrativeThe household expressly fashioned from sticks in Kele and Sedit, pp. 243-263.
Read with: Kele and his mountain household
Method, limits & sources
Branches record the account’s creation-parent relationship, not biological descent.
No mother is supplied. Sons remain grouped as ten smoothed-stick and ten rough-stick figures. Narrative wolf appearances do not establish natural ancestry; the final prose and collection note disagree over indoor versus outdoor appearances.
Attributed narrativeThe complete Little Sister retelling, pp.101–120.
Read with: Kerttu, the Sister with Stolen Appearance
Method, limits & sources
Explicit shared mother and father in the opening, followed by reunion with the surviving mother.
Parents and brothers have no personal names. The younger brother who investigates is one of the nine, not an additional son. Suyettar’s false sisterhood and Musti’s companionship are excluded. This is Fillmore’s literary retelling, not a literal transcript of a Finnish narrator.
Attributed narrativeThe expressly stated father and daughter in tale XXIV.
Read with: Feathered daughter of the King of the Genii
Method, limits & sources
Repeated daughter designation; marriage is a separate relationship.
Neither father nor princess has a personal name in this witness. Bird attendants are subjects and captors, not relatives. The feather-removal episode does not establish biological bird ancestry. Other Solomon traditions are not combined.
Attributed narrativeKorobona, pp. 64–74, in Brett’s English verse presentation; surrounding frame names McLeod.
Read with: Korobona’s serpent child · Wahma of Korobona’s lake
Method, limits & sources
Explicit maternal relationships; Wahma’s fatherhood retained only for the boy.
The first girl’s death is an editorial guess. Her father is not assigned. No marriage is inferred from captivity, and the narrative’s origin claim is not verified ancestry of modern communities. Unnamed maternal aunt and four uncles are described separately, without invented parent generations.
Attributed narrativeThree named generations in chapters XXI–XXII, with the two expressly named mothers.
Read with: Ku-ula, Fish Deity of the Hana Account · Aiai, Son of Ku-ula · Puniaiki, Fish-Form Son of Aiai
Method, limits & sources
Explicit household, birth and marriage statements in the translated account.
The opening identifies a Maui version translated and condensed from Moke Manu by M. K. Nakuina. Ku-ula and Hina-pu-ku-ia’s parents are expressly unknown. Ku-ula-uka’s meeting with La-ea does not establish a marriage. Puniaiki’s later wife is inconsistently introduced as Kikihale’s daughter and then called Kikihale, daughter of Kou; that disputed household is omitted. Fish form is a transformation of Puniaiki, not biological evolution.
Attributed narrativeComplete no. 55 main narrative and comparisons, pp. 304–307; graph uses main narrative only.
Read with: Swallowing Mother of Kwallabbe
Method, limits & sources
Explicit mother–daughter statements and completed royal marriage.
Kwallabbe’s father and offspring unstated. Mother’s species unknown in the main witness; comparative elephant mother, gourd birth and Atafa remain separate tellings. The older king is father-in-law, not a completed second husband. Daughter’s changed appearance preserves her identity.
Attributed narrativeComplete English adaptation, pp. 30–41; parentage and successive forms.
Read with: The Twins with Golden Stars
Method, limits & sources
Explicit birth to Laptitza and the emperor; repeated identification as twin brothers.
The boys are unnamed. Their forms preserve identity rather than representing biological descent. The emperor’s stepmother and second wife belong to a separate stepfamily; no offspring of the second marriage are stated. Romanian originals have not been collated.
Attributed narrativeOnly the mother and thirteenth-child relationship in the Commission’s retelling.
Read with: Jersey Devil
Method, limits & sources
Explicit parentage in the named source witness.
The other children are not individually described here and are omitted. Father and historical identities are not reconstructed. A legend’s family is distinct from verified human genealogy.
Attributed narrativeVersion A, narrator statements on English pp. 161 and 171.
Read with: Ngana Ngulungu, the Framed Grandson · Ngana Hima, the Alert Grandson
Method, limits & sources
Grandparent-to-grandchild links; each displayed edge skips an unspecified intervening generation.
No intervening parents are supplied, and no brotherhood between the grandsons is inferred. Version A’s continuation was elicited after the collector read a Brazilian parallel; version B has a different contributor and is not merged. This is narrative kinship, not animal evolution.
Attributed narrativeLegends of Old Honolulu XXIV, The Chicken-Girl of Palama.
Read with: Lepe-a-moa
Method, limits & sources
Named parents and repeatedly explicit sibling relationship support the two-child branch.
Ke-ao-lewa is an ancestress of unspecified distance and excluded from immediate branches. Grandparent fostering and Kamamo’s adoption are separate relationships. No animal phylogeny implied.
Attributed narrativeEnglish p. 260 in the complete XXXVIII account, pp. 258–262.
Read with: Limo of ’Maliepetsane’s Tale
Method, limits & sources
Two explicitly stated parent–child links.
The mother and child remain unnamed; Limo’s father and the child’s other parent are unspecified. Maliepetsane impersonates the mother but is not added as a relative. This is Jacottet’s English rendering of the account credited to A. Sekese, not an independently collated original edition.
Attributed narrativeThe four children born to Lir and Ove before his marriage to her sister Oifa.
Read with: Children of Lir · Aoife (Air-Demon of Lir’s Tale)
Method, limits & sources
Explicit family statements in the named Jacobs retelling.
Oifa is their maternal aunt and later stepmother, not biological mother. Dearg fosters Oilell’s daughters; fostering is not biological parentage. Historical spellings Ove/Oifa are retained for this witness.
Attributed narrativeThe mother–son relation in Casalis’s printed Kammapa and Litaolane episode; Litaolane is this witness’s spelling.
Read with: Ditaolane
Method, limits & sources
The woman gives birth to a son, names him Litaolane and is addressed as mother in the next scene.
The mother is unnamed and no father is identified. Rapid maturation is a narrative marvel, not biological descent evidence. Casalis’s subsequent Christian analogy is editorial interpretation and is not adopted as the tale’s origin.
Attributed narrativeXXXVII, English pp. 254–258.
Read with: Litokotoko
Method, limits & sources
Shared mother connected to her separately described children.
The earlier children’s father and number are unstated. Litokotoko’s father appears in the ending but is not automatically their father. The grandmother’s maternal or paternal side is not specified and is omitted from this parentage graph. All relatives remain unnamed; literal loss and restoration of limbs in the tale is not a modern medical claim.
Attributed narrativeOpening parentage on p. 110 and the return to both parents on p. 119.
Read with: Kaktoogwasees / Little Thunder (Rand’s account)
Method, limits & sources
A jointly labelled parental branch records their only son.
The mother is unnamed. Little Thunder’s bride is separately the daughter of Keukw; she is not a daughter of his own parents. Glooscap and the travelling helpers are hosts or companions, not additional parents. No further generations are supplied.
Attributed narrativeComplete Log retelling, with opening caregiving and later marriage distinguished.
Read with: Log, the Alder-Born Hero
Method, limits & sources
Narrator’s explicit parents designation after the couple care for a wooden baby that becomes living.
This is social caregiving, not a biological birth lineage. The couple and princess have no personal names. Log’s bride later marries the commissioning home king, distinct from her own father; no children or descendants are stated.
Attributed narrativeOne father and two unnamed sons in this telling, pp. 102–104.
Read with: Lumawig in Cole’s Igorot narratives · Lumawig’s two flood-making sons
Method, limits & sources
Explicit opening father–son and elder-brother wording; Lumawig subsequently recognizes his sons’ flooding.
Both sons reuse their collective profile. Their mother is not supplied. The human survivor siblings who later marry are distinct, and are not described as Lumawig’s children. His dog and deer are helpers, not children.
Attributed narrativeOne explicitly named father–son relation on p. 126.
Read with: Makonaima’s son (Brett’s Acawoi account)
Method, limits & sources
The verse directly designates the first man as Makonaima’s son.
The unnamed Acawoi narrator’s account is mediated by Brett’s English verse and missionary framing. No mother or biological mechanism is supplied, and creator status does not make all created animals his children. Other Makonaima narratives are not merged.
Attributed narrativeXX only, English pp. 140–146.
Read with: Maliane · Monyohe
Method, limits & sources
Sister grouping, with each named as a wife of the same husband.
The grouping root is not an ancestor. Maliane’s chief father and mother are explicit, but the younger sister’s parentage is not separately narrated, so common biological parents are not added. Monyohe is their husband, not a sibling. No children are supplied; XIX’s baby is not imported into XX.
Attributed narrativeXIX only, English pp. 134–138.
Read with: Monyohe · Mamonyohe
Method, limits & sources
Explicit mother–son link, followed by the son’s stated child with Senkepeng.
Monyohe’s father and the baby’s name and sex are unstated. XIX’s later deaths remain separate from XVIII’s marriage ending. XVIII’s song has an uncertain translation; its apparent “child of my sister” address is not used as an aunt–nephew pedigree. No original-version claim from the collector’s comparative notes is adopted.
Attributed narrativeComplete French telling, pp. 96–102; opening couple, later birth and final reunion remain source-specific.
Read with: Madjitâtâ of Ouargla
Method, limits & sources
Explicit shared-mother and sibling statements, with seven earlier sons collapsed as a named-count group.
The mother and seven earlier sons are unnamed. The opening father is stated for the seven sons and Mamza; the later birth does not separately name Madjitâtâ’s father, so this is a maternal tree. Mamza remains alive despite the old woman’s contradictory claim. No biological chameleon ancestry or ogre offspring is inferred.
Attributed narrativeComplete 45a Maria narrative, pp.314–316; Abadeja 45b and Wonderful Tree abstract excluded.
Read with: Maria’s crab mother and wishing tree
Method, limits & sources
Opening only-daughter statement and crab’s explicit self-identification as Maria’s mother.
The mother and Maria’s biological father have no personal names. Juana is a later stepmother; Rosa and Damiana are her own daughters. The narrator’s aunt/sister terminology does not override the explicit remarriage setup. No descendants of Maria’s marriage are supplied.
Attributed narrativeComplete Fiend narrative, pp.24–31, in the hosted Hurst edition.
Read with: Marusia, the Returning Flower Bride · Corpse-Eating Suitor of Marusia
Method, limits & sources
Explicit parents, marriage and son designations before and after Marusia’s flower return.
Parents, husband and son are unnamed. The grandmother’s maternal/paternal side is not stated and is not attached to a guessed parent. The fiend’s earlier betrothal is not completed marriage. Parents remain dead; husband and child are explicitly revived. Original Russian source not independently collated.
Attributed narrativeThe cellar piper’s mother is identified through Paddy’s conversation and the later death announcement.
Read with: Mary Kerwan (Weasel) · Donal the Fairy Piper
Method, limits & sources
Explicit family statements in the named Jacobs retelling.
Mary also calls the black dog her son. The episode supplies no narrated dog-to-piper transformation; that scene is not invented here. This is a tale-specific family, not a species genealogy.
Attributed narrativeOne Carib-attributed narrative, §122 p192; Mawari is one named Yurokon, not the entire spirit category.
Read with: Yurokon
Method, limits & sources
Explicit daughter and three children in Roth’s historical English account.
The three children and human father are unnamed. Collector translation and attribution are retained; contemporary belief and independent oral provenance are not asserted. The heading is visually confirmed as122 despite OCR123.
Attributed narrativeOne named Gelfling household in the official prequel glossary.
Read with: Gelfling
Method, limits & sources
Explicit maternal statement under All-Maudra (Mayrin), glossary A.
No father, birth order or genealogy of the wider Gelfling people is supplied by this passage. Political authority over clans is not a descent relationship.
Attributed narrativeThe three daughters of Pressina and Elinas in Keightley’s Legend of Melusina.
Read with: Melusine
Method, limits & sources
Explicit named parentage in the 1892 literary retelling.
A source-specific narrative family, not biological phylogeny. Elinas’s earlier marriage and son Nathas are recorded separately as a connection; other Melusine versions may differ.
Attributed narrativeOnly the sons explicitly assigned to Mem Loimis, Olelbis and Kahit in this named account.
Read with: Mem Loimis (Curtin’s Wintu account)
Method, limits & sources
The top heading groups two parentage sets; it is not an ancestor of the parents. Joint-parent headings branch to their children.
Sotchet is Olelbis’s son despite being born and raised in Kahit’s home. Kahit’s two sons are unnamed. These are Curtin’s translated narrative relationships, not independently verified biological descent or a universal account.
Attributed narrativeThe complete composite Turtle chapter, expressly assembled from six versions by Leland.
Read with: Mikchich / Chick-we-notchk
Method, limits & sources
The chief’s three daughters and the youngest daughter’s completed marriage and later baby are directly stated.
This represents Leland’s edited composite, not an independently recovered single narrator’s version. The baby’s sex is unstated. The uncle–nephew relation with Glooskap is explicitly disputed as biological versus adoptive and is excluded from this branch. No real turtle ancestry is inferred.
Attributed narrativeComplete English adaptation, pp. 62–69; royal father, permanent adoption, subsequent marriage and children.
Read with: Mogarzea, the Soul-Robbed Prince · The Fairy Bride of the Sweet-milk Lake
Method, limits & sources
Explicit parentage and adoption statements; node labels distinguish biological descent from adoption.
Mogarzea’s father, orphan and children are unnamed; child count is unspecified. Adoption is not biological descent. The fairy’s coerced capture precedes marriage. The three soul-stealing elves have no stated kinship, and the fairies are not stated sisters. Romanian originals have not been collated.
Attributed narrativeComplete Mooregoo the Mopoke, and Mooninguggahgul the Mosquito Bird narrative.
Read with: Mooregoo, the Whirlwind Father · Mooninguggahgul, the Mosquito-Bird Sisters · Wurrawilberoo, the Sons Beside the Sky Trees
Method, limits & sources
Explicit father and two sons; two sister wives retained as a spouse annotation, with collective maternal language qualified.
The text does not assign each son to an individual mother or give the sons personal names. The separate Mooregoo–Bahloo chapter is not joined to this household. Bird forms, the whirlwind and sky placement are narrative identities, not natural evolutionary relationships.
Attributed narrativeOnly the named numbered tale in Hunt’s 1884 Grimm translation.
Read with: Little Brother as Roe
Method, limits & sources
Explicit parentage and birth order in the primary narrative.
The stepmother is explicitly separate from the deceased mother. The shared mother is stated; no unnamed father is inferred.
Attributed narrativeMain tale 72, pp. 357–359, excluding the separately printed Dog/Salt/Cake comparison.
Read with: Mouse and Cake Offspring in the Hausa Tale
Method, limits & sources
Each of the two wives is explicitly said to give birth to one offspring; later references identify each mother.
The common husband is not separately asserted to father either child in this extracted topology. The root groups two maternal branches, not a shared ancestor. Partly eaten Cake remains the same child; Mouse and Cake are not real biological taxa.
Attributed narrativeNiua’s account.
Read with: Muato’a, Also Called Anapou
Method, limits & sources
Explicit parentage.
No other relatives supplied.
Attributed narrativeWerner’s historical comparative collection, chapter XV, specifically the Buziba account beside Lake Victoria.
Read with: Mugasha · Kayura
Method, limits & sources
The prose explicitly identifies Kayura as Mugasha’s son.
No mother, sibling or descendants are supplied. Storm birds are controlled agents, not stated offspring. The missing leg’s appearance in clouds has no explanation in Werner’s account; none is invented. This is a source-specific religious genealogy mediated by a historical compilation, not biological descent or a universal modern community doctrine.
Attributed narrativeThe complete Mullyangah the Morning Star narrative in Parker’s 1896 collection.
Read with: Mullyangah, the Morning-Star Eagle Hawk
Method, limits & sources
The opening distinguishes a wife from her mother, both called Moodai.
The two women share a name without being one person. Mullyan is represented through the wife’s spouse annotation, not as the elder woman’s biological child. No children are stated, and Buttergah’s wider group connection is not converted into a personal pedigree.
Attributed narrativeTremearne’s selected 1914 historical Bori notices, pp. 385–386.
Read with: Sarikin Rafi · Dodo Ibrahima · Dubabi · Ba-Kabba
Method, limits & sources
Prose states Sarikin Rafi → Dodo Ibrahima → Dubabi; Ba-Kabba is expressly Dubabi’s full-sister.
Ba-Kabba’s paternal branch follows the explicit full-sibling relation; no mother is named. Kadda and Baddo similarity is not converted into extra children. Rain and crocodile associations are performance/belief context, not zoological ancestry. These are attributed historical religious relationships, not biological phylogeny or a universal contemporary doctrine.
Attributed narrativeHawaiian Folk Tales XXIV, selected 1907 account; parentage corroborated by Kahoʻiwai.
Read with: Nanaue · Kamohoaliʻi
Method, limits & sources
Named marriage, expected child and birth explicitly link Kamohoaliʻi and Kalei to Nanaue.
Joint-parent node represents two parents, not a separate being. No shark species, additional children or natural reproductive process inferred. Other accounts remain separate.
Attributed narrativeGriggs’s Tortoise tale, pp. 67–77.
Read with: Nang Hsen Gaw’s tortoise mother · Nang Hsen Gaw
Method, limits & sources
The mother identifies her daughter directly.
The woman, tortoise and singing tree are successive identities, not generations. Historical English retelling; no universal Shan genealogy.
Attributed narrativeThe adoption announced on page 123 and the ensuing father references on pages 124–125.
Read with: Raven (Haida)
Method, limits & sources
Explicit adoption plus narrator and character identification of Qîñgi as father.
Adoptive relationship only. The earlier already-born child whose skin Raven enters is not treated as Raven’s biological birth. Other episodes, names and tellings are not harmonized. Historical transcription follows Swanton’s selected witness; contemporary Haida authority is not displaced by this collector edition.
Attributed narrativeThe telling attributed to Camille Acosta on the Library of Congress page.
Read with: La Llorona
Method, limits & sources
Explicit parentage in the named source witness.
One remembered version, not all La Llorona traditions. Sons and husband are unnamed; no father is inferred from marriage alone.
Attributed narrativeJanvier’s 1906 text reproduced by the Library of Congress.
Read with: La Llorona
Method, limits & sources
Explicit parentage in the named source witness.
The child count is indefinite; the collective node is not a generation. Separate from Acosta’s two-son telling.
Attributed narrativeOne explicit mother–son pair in XIII, pp. 200–203.
Read with: Ngumbangumba
Method, limits & sources
Direct mother and son wording in Junod’s collected French telling, p. 201.
The mother is unnamed. She must not be merged with the later surviving mother of Bokényane, Bonuambéri and Bochuruane; the text does not equate those women. No father is supplied.
Attributed narrativeComplete Runaway Children narrative, printed pp. 122–126, selected second edition.
Read with: Nomagoda
Method, limits & sources
Explicit son, brother, two daughters and aunt statements.
Nomagoda’s parents, Magoda’s father and the girls’ mother unstated. The girls have a younger/elder order but no names. Ntengu and the father’s dogs are rescuers, not family members. The wounded half-bodied survivor is not another relative or biological population.
Attributed narrativeExplicit opening relationship and the repeated brother narrative, pp. 211-240.
Read with: Norwanchakus and Keriha
Method, limits & sources
Parallel branches display a sibling group, not parent-to-child descent.
No parents are named. The brother, uncle and cousin addresses to other visitors are not expanded into a wider pedigree. Their different final destinations do not create a second pair of brothers.
Attributed narrativeHunter father, his unnamed wife and their precocious son in XIV, pp. 203–222.
Read with: Nouamoubia, Ogre-Conqueror in Camilla’s Tale
Method, limits & sources
The prenatal teaching and birth account, followed by explicit father–son action and final return to the mother.
Both father and son are called Nouamoubia; Junod’s note explains the community descent label. Moubia is not identified as this child’s immediate father. The son’s later wives belong to the ogre settlement; no children from those marriages are stated.
Attributed narrativeHearn’s selected Musashi narrative, published in Kwaidan (1904).
Read with: Yuki-onna
Method, limits & sources
The joint-parent heading branches to the ten expressly stated children collectively.
No children’s names or individual sex assignments are supplied. O-Yuki and the snow woman are the same narrative individual. Her introductory account of deceased parents is a character’s claim, not a basis for a larger reconstructed pedigree; other versions remain separate.
Attributed narrativeNamed family in Brage’s Talk III, Anderson translation; external relatives remain named text nodes.
Read with: Þjazi
Method, limits & sources
Explicit father, sons and daughter statements; spellings modernized in node labels.
No mother, birth order or wider genealogy inferred. Skadi’s marriage settlement is not treated as descent. This is textual genealogy, not biological phylogeny.
Attributed narrativeExpress parentage in the narrated account, pp. 144–148.
Read with: Ooscoon and the giant household (Nancy Jeddore’s account)
Method, limits & sources
One father-to-collective-sons branch preserves the stated total.
No mother or names for the sons are given. Their deaths and one earlier restoration do not create new individuals. The visiting man’s adoption or succession appears only in Rand’s conjectural appended ending, p. 149, and is excluded. Friendly younger-brother greetings to visitors are not biological sibling evidence.
Attributed narrativeExplicit parental statement on p. 135 in the complete English telling.
Read with: Orochimaru, Dragon-coil
Method, limits & sources
A joint-parent heading branches to their stated son.
Both parents are unnamed. The serpent mother’s lake residence and the son’s transformation are distinct facts; neither establishes a natural species hybrid or a wider pedigree.
Attributed narrativeOne explicit mother–daughter statement in the final quest episode.
Read with: Orddu
Method, limits & sources
Guest’s text directly names Orddu as the witch Orwen’s daughter.
No father, siblings or further ancestry are stated in this passage. Arthur’s attendants and adversaries are not treated as relatives.
Attributed narrativeComplete 1922 The True Bride retelling, pp.3–24; not a verbatim Finnish oral transcription.
Read with: Ilona, the Chained Sea Bride in Fillmore’s Retelling
Method, limits & sources
Explicit opening brother and sister, with the ending’s marriage retained as an annotation.
Sibling-group root is not an invented parent. No parental personal names, birth order or descendants are supplied. Suyettar is an impersonator, Pilka a dog companion, and the Sea King’s Son’s refused proposal is distinct from the human prince’s completed marriage.
Attributed narrativeComplete Ouyan the Curlew narrative.
Read with: Ouyan, the Curlew in Parker’s Collection
Method, limits & sources
Opening expressly identifies Bleargah as Ouyan’s mother.
Hosted text later spells the mother Beeargah. Other camp women are not assigned kinship, and no father is supplied. The tale’s animal names and bird-form identity are not a scientific genealogy.
Attributed narrativeJacobsen’s account (1).
Read with: Asoatemuri and Suakmasta
Method, limits & sources
Explicit parentage.
Parents unnamed; narrative birth, not biological verification.
Attributed narrativeComplete Adventure XI, Nurse Mikko, pp.287–291.
Read with: Pekka, the Wolf of Mikko’s Nursery Epic · Mikko, the Fox of Fillmore’s Nursery Epic
Method, limits & sources
Explicit wife’s childbirth and Pekka’s repeated children designations.
Mother dies after giving birth. The three cubs are unnamed and all are eaten by Mikko; no survival or revival is narrated. Mikko’s paid nursing role does not make him a parent. Animal brother/cousin addresses elsewhere are not used as birth evidence.
Attributed narrativeHow the World was Created, pp. 85–86.
Read with: Gong Gow
Method, limits & sources
The first man and woman explicitly emerge from the Great Spirit Spider’s eggs after the earth forms around them.
Cosmological narrative origin, not biological phylogeny. Subsequent peoples are not expanded into modern ethnic genealogies. The source does not name a father or specify one egg per child.
Attributed narrativePrincess Pepperina in Steel’s 1894 collection.
Read with: Princess Pepperina (Shâhzâdî Mirchâ)
Method, limits & sources
Explicit egg emergence and later childbirth in the named tale.
The bulbul’s mate is not represented as a father. The magical origin is narrative parentage, not a biological human–bird phylogeny. The murdered infant is not described as restored.
Attributed narrativeMarriage and maternal identification, pp. 5 and 12–14; explicit father and mother, p. 29.
Read with: Pohila and the fire household
Method, limits & sources
Joint parental branch to their named child.
These are characters in this telling, not biological taxa. No wider natural-ancestor chain is inferred from their fire or plant identities. Olelbis’s Pakchuso grandmother addresses do not establish an intervening birth pedigree.
Attributed narrativeZeus’s complete response to Athena at Odyssey 1.63–79, Murray translation.
Read with: Polyphemus
Method, limits & sources
Explicit Thoosa–Phorcys and Thoosa–Polyphemus statements form the maternal line; Poseidon’s paternity is retained in the child label.
No mother of Thoosa, siblings of Polyphemus or offspring are supplied here. Sexual union is not labelled a marriage. This one Cyclops’s genealogy does not establish the parentage of all Cyclopes.
Attributed narrativeThe separately attributed stolen-boy anecdote appended to Leland’s Passamaquoddy Pitcher narrative.
Read with: Pook-jin-skwess
Method, limits & sources
Narrator distinguishes the witch’s own children from abducted children raised in her household.
No child’s personal name or individually named father is supplied. The stolen boy is excluded from the biological branch. Noel Josephs’s attribution is not extended to the whole preceding Pitcher narrative; the chief’s bear mother is a separate family.
Attributed narrativeThe king’s explanation of the quarrelling pair, pp. 35-36.
Read with: Brothers reborn as snake and ichneumon
Method, limits & sources
Two parallel branches show the stated sibling relationship in their earlier human lives.
The heading is a sibling grouping, not an ancestor. No parents are named; the branches associate each human brother with his subsequent animal rebirth, not biological descent. The 1906 English translation is the inspected witness.
Attributed narrativeComplete story 20, pp. 161–166; explicit household parentage on p. 162.
Read with: Prince Snail (Tate’s account)
Method, limits & sources
Literal two-parent statement and repeated husband/daughter-in-law descriptions.
The parents and prince lack personal names. The wife’s six brothers belong to her separate human household; her youngest rescuer is not a snail sibling. No offspring of the marriage are supplied. The concluding animal-origin explanation is narrative, not biological phylogeny. The original Tate manuscript has not been collated.
Attributed narrativeComplete §3.1 fable and explanatory footnotes, printed p. 101.
Read with: The Shark and Large Lizard of Colenso’s Fable
Method, limits & sources
Opening children-of-Punga designation and explicit elder/younger brother order.
Source-scoped narrative, not modern animal phylogeny or universal Māori genealogy. Colenso’s footnote calls Punga father or former; no mother or further ancestors supplied. Tū association and Darwin comparison remain separate from parentage and species identification.
Attributed narrativeThe complete Kumonngoe account, English pp. 112–124.
Read with: Rahlabakoane’s Swallowing Rock · Lilahloane
Method, limits & sources
Named joint parents, their daughter, and her explicitly stated children with Masilo.
The younger child has no name or specified sex and is not identified with the rescue boy. The pool guardian is a caregiver, not a biological ancestor. Masilo’s unnamed cannibal father is distinct from Rahlabakoane. Recurring Thakane and Masilo names are not merged with other tales. The rock is a narrative transformation, not geological evolution.
Attributed narrativeThe expressly stated adoption and foster upbringing in Griffis’s 1887 English telling.
Read with: Rai-taro
Method, limits & sources
The branch is an adoptive relationship, not biological parentage.
Bimbo and Kanemochi are names of one foster father. The wife is unnamed; neither biological parent is explicitly identified. Rai-taro’s human and white-dragon appearances are one narrative individual.
Attributed narrativeThe two rescued children raised together, distinguished from biological parentage.
Read with: Rāja Siung, the Tusky Prince · Princess Nang Cháyang · Bamboo-born ancestor of the Rāman rulers
Method, limits & sources
Rescue, upbringing and explicit adoption in tale XXII.
These are foster-care branches, not a shared biological ancestor. Nang Cháyang’s birth father is the unnamed fairy king; the bamboo boy’s parents are not supplied. The main telling marries the princess to Samura Muda; the foundlings’ marriage occurs only in the variant note. The narrator is identified only as a Malay in Patāni Town. Descendant and taboo claims remain this tale’s origin explanation, not a verified modern pedigree.
Attributed narrativeOnly the explicit parentage in The Peacock as Bridegroom.
Read with: Rāshṭrapāla and the rejected peacock bridegroom
Method, limits & sources
One father-to-daughter branch follows the narrative’s repeated relationship statements.
Mother and daughter’s personal name are unstated. The rejected peacock is a suitor, not a completed spouse. This is the 1906 English translation; Tibetan and German originals were not independently collated.
Attributed narrativeComplete II.14 narrative and footnotes, pp. 77–83; November 1900 attribution.
Read with: Ku´urkịl in Qo´tirġịn’s raven tale · Hare, Ku´urkịl’s son-in-law
Method, limits & sources
Explicit spouse, daughter, son/brother, marriage and child statements.
Names of the two children, Hare’s mother and the grandchild unstated. The grandchild’s sex is not supplied. Hare’s mother is a separate maternal relation, not Raven’s wife. Raven’s first death is explicitly simulated and final death real; no revival is inferred. This account is not a universal Raven genealogy.
Attributed narrativeThe opening’s king and queen and their explicitly born son.
Read with: Horse-headed Prince of the Crows’ Tower
Method, limits & sources
One joint-parent branch records stated parentage; the final spouse is labelled beside the son.
No parent names or children of the prince’s marriage are supplied. Horse-headed, knight and crow appearances belong to the same prince; no animal ancestor is inferred.
Attributed narrativeThe complete Penobscot-labelled Saco narrative, attributed to Maria Saksis in Leland’s closing note.
Read with: Saco giant sorcerers
Method, limits & sources
Opening father, three sons and daughter; later explicit eldest-brother references.
Glooskap’s formally adopted ties are excluded from the biological branch. Only the father and three sons are transformed into fish at the ending; the daughter’s fate is unstated. No natural fish ancestry or Leland cross-cultural origin theory is inferred.
Attributed narrativeThe Story of the Rakshasas, pp. 66–69.
Read with: Sahasra Dal · Sahasra Dal’s Rakshasi mother
Method, limits & sources
Explicit shared father and separately identified mothers in the narrator’s account.
The unnamed Brahman is the shared father. The Rakshasi’s initial claim to a forgotten childhood wedding is deception; subsequent birth and half-brother statements are explicit. Her affectionate address to the human wife does not establish biological sisterhood. Keshavati marries Champa Dal, not Sahasra Dal.
Attributed narrativeThe explicit mother-and-son exchange in Olelbis and Mem Loimis, pp. 56-57.
Read with: Sanihas Yupchi (Curtin’s Wintu account)
Method, limits & sources
One branch records the stated parentage.
No father is supplied. Sanihas Yupchi and Tsaroki Sakahl are identified as the same person here, not siblings. Curtin’s English account is the inspected witness.
Attributed narrativeTremearne’s selected 1914 historical Bori notices, pp. 325–326, 353.
Read with: Sarikin Pawa · Yar-Maso
Method, limits & sources
Two separate notices explicitly identify this father–daughter relationship.
No mother or children of Yar-Maso are supplied. The collector’s differing religious classifications remain source qualifications. These are attributed historical religious relationships, not biological phylogeny or a universal contemporary doctrine.
Attributed narrativeChapter IV’s Nafanua entry only.
Read with: Saveasiʻuleo
Method, limits & sources
Explicit relationships in the named source witness.
The mother’s identity is unspecified here. Different published or community versions are not combined with this witness.
Attributed narrativeBusk’s 1873 Youth narrative, pp. 276–280.
Read with: Schalû · Wolf foster parents of Schalû
Method, limits & sources
Explicit human birth and the wolves’ account of nurturing the child; foster relationship only.
The root is a joint caregiver pair. Schalû’s biological mother is the unnamed maiden; no father is identified. His later adoption by the queen and adoptive brotherhood with Vikramâditja are distinct stages, not biological generations or separate identities.
Attributed narrativeCirce’s Scylla and Charybdis description and follow-up answer, Odyssey 12.73–126, Murray translation.
Read with: Scylla
Method, limits & sources
Explicit mother–daughter statement in Circe’s reply.
No father, siblings or descendants are given here. Charybdis is not made a relative through proximity. The displayed maternal name follows this translation’s spelling; later alternative genealogies are not blended in.
Attributed narrativeSedit’s imitation of Kele’s child-creation procedure, pp. 259-263.
Read with: Sedit (Curtin’s Wintu account)
Method, limits & sources
Parallel branches distinguish the lost daughters from the eventually successful sons.
Created narrative parentage, not biological descent. Both daughters permanently revert to sticks; the twenty successful sons follow a later attempt. Kinship greetings elsewhere are not used to reconstruct unnamed shared ancestors.
Attributed narrativeThe opening married household and daughter, pp. 152–156.
Read with: Sim Chung in Allen’s telling
Method, limits & sources
Marriage, birth and repeated daughter/father wording.
This represents earthly parentage only. The Sea King later describes Sim Hyun as her former star-lover; that past-life relation is not another biological edge. Mother is unnamed, and the later earthly king is not her father. Other Sim Cheong versions are not merged.
Attributed narrativeThe nest rescue and maternal address on pp. 237-238 of the complete 1919 English telling.
Read with: Simurgh
Method, limits & sources
One maternal branch records the nestlings collectively.
No father, offspring count, names or sexes are supplied. The human traveller is a rescuer and beneficiary, not another child. This Bakhtiari collected version remains distinct from the Shahnameh’s Zal episode.
Attributed narrativeThe Siwara narrative, §116 pp186–187; this is not generic Hebu parentage.
Read with: Siwara
Method, limits & sources
Explicit husband, wife and baby statements; social greetings excluded.
Parents are grouped jointly, not as a new organism. Baby’s name and sex are unstated. Wife’s brothers and parents are not inserted as ancestors of Siwara. Roth’s historical mediation remains explicit.
Attributed narrativeThe second account on p366, with individual notices through p371; not a consensus Bori family.
Read with: Yerima · Mai-Lema · Ya Biyu and Kuwara
Method, limits & sources
Attributed six-child list, corroborating Mai-Lema song and explicit twin notice.
Ba-Jin-Chiwu alternatively has Sarikin Rafi as father. Geshe is explicitly Kaura’s foster-father. The first account’s different four-child placement list is not merged here; its wording does not independently establish all birth parents. Mothers are generally unstated except the twins’ unnamed concubine mother.
Attributed narrativeThree daughters of one mother, born across her two marriages.
Read with: Grey Cat of Smallhead’s Mother · Smallhead
Method, limits & sources
Explicit family statements in the named Jacobs retelling.
The two husbands are unnamed and distinct; no joint father is invented. The cat identifies herself as the murdered mother. This transformation is textual identity, not biological evolution.
Attributed narrativeThe complete XV narrative, pp.72–76; surrounding comparative summaries are separate.
Read with: Snow-white-fire-red in Pitrè’s Tale · Pursuing Ogress of Snow-white-fire-red
Method, limits & sources
The narrator explicitly calls the tower ogress’s captive her daughter.
The opening pitcher-gathering ogress is not explicitly equated with this mother. The prince’s sister address does not supply shared parents; he later marries the heroine. No father or descendants are stated.
Attributed narrativeComplete The Land of the Ogres narrative and note, pp.189–196. Article attachment follows the note’s Rakshas label, not a class-wide lineage.
Read with: Rakshasa
Method, limits & sources
Explicit married parents and two boys and one girl, later individually named.
The mother and two later spouses are unnamed. The ogre rescuer and ruler are not assigned kinship. The note’s identification with a real Ceylon population is prejudicial editorial interpretation, excluded from the family facts; animal-like personal names are not biological species.
Attributed narrativeTwo biological mother–cub relations within a jointly nursing foster household, pp. 328–331.
Read with: Sudaṇshṭhra and Subāhu
Method, limits & sources
Opening mother-and-cub statements, reciprocal care arrangement, supplied cub names and mothers’ express brotherhood instruction.
The root groups caregivers; it does not imply a shared parent or marriage between them. Solid nested relations show each cub’s biological mother; reciprocal nursing makes the cubs foster brothers. No father is supplied. The preceding lion-and-bull story is a separate version, and the jackal’s uncle address does not establish biological kinship.
Attributed narrativeThe explicit paternal and maternal chain in Bālakāndam XXV.
Read with: Tāṭakā · Mārīca
Method, limits & sources
The passage names Suketu’s daughter Tārakā and her son Māricha.
Historical translation spellings Tārakā/Māricha correspond to the local Tāṭakā/Mārīca profiles. Sunda is explicitly her husband; the displayed maternal chain does not infer another parent from marriage alone. The curse changes appearance/status in the narrative, not biological evolution.
Attributed narrativeThe two offspring explicitly described on pp. 145–146 in this telling.
Read with: Sun and Moon in Cole’s Mandaya account · Tambanokano
Method, limits & sources
Opening marriage statement followed by first-child and another-child wording; note 23 supplies the crab’s name.
The parent node represents the married pair, not a single being. No additional personal name is supplied for the star-child. The divided pieces become stars in the narrative; they are not separately named children. Note 24’s comparative eclipse discussion does not establish shared descent or historical influence across traditions.
Attributed narrativeComplete Log literary retelling, pp.69–98; separate from The True Bride.
Read with: Three-Headed Serpent Holding the Dawn · Six-Headed Serpent Holding the Moon · Nine-Headed Serpent Holding the Sun
Method, limits & sources
Repeated explicit Suyettar mother/sons statements and serpent brotherhood.
No father is supplied. The retelling’s ordinal descriptions vary, so head counts identify the sons without establishing birth order. Suyettar’s companions are not assigned biological sisterhood merely from address, and the false-bride profile from another tale is not used as the mother endpoint.
Attributed narrativeComplete interlinear glosses, Portuguese rendering and notes, VI pp. 223–225.
Read with: Tamecan, the seven ascending children
Method, limits & sources
Explicit married parents and seven children, with one designated eldest brother.
Both parents unnamed. Six younger children are retained collectively without invented names, sexes or order. Ueré’s uncle address supplies no maternal/paternal placement; the footnote identifies only another star. No link to the distinct Cyiuce household or vulture ancestry is inferred.
Attributed narrativeOnly Turner’s chapter III Falealupo narrative.
Read with: Tapuitea
Method, limits & sources
Explicit relationships in the named source witness.
Her unnamed husband is called king of Fiji, but is not explicitly designated the sons’ father in the inspected passage. Turner’s missionary-era account is not the voice of all contemporary Samoan tellers.
Attributed narrativeAurora tale III.13, pp. 406–407.
Read with: Deitari
Method, limits & sources
Deitari emerges from Tari’s stored blood; the account then repeatedly calls Tari his father and Deitari his child.
The extraordinary blood origin is a story mechanism. Tari’s wife cares for the emerging child, but this passage supplies no maternal origin; Taepupuliti is a captor, not a relative.
Attributed narrativeXLVIII, Tatterhood only.
Read with: Tatterhood
Method, limits & sources
Explicit family relationships in the named translated tale.
The queen explicitly gives birth to both girls. The earlier foster-daughter and beggar girl are different children; they are not substituted for either twin. The diagram records maternity without inferring a father.
Attributed narrativeTen named divine progenitor groups and eleven offspring explicitly enumerated in Dutt’s 1891 Bālakāndam XVII translation.
Read with: Vānara
Method, limits & sources
Retain each stated parent-child relationship, grouping the independent families under a non-ancestral heading.
The root heading groups independent families and is not an ancestor. Mothers are not individually identified in this list. The male Tārā here is not silently equated with Vāli’s wife in other episodes. Translator spellings are retained. Epic divine generation is distinct from biological evolution; other textual versions may differ.
Attributed narrativeAdiaha’s stated parents and her one son in tale III.
Read with: Adiaha (Woman with Two Skins)
Method, limits & sources
Explicit parentage in the named collected tale.
The descendant line follows the mother. Eyamba is the child’s separately stated father, not an additional child of Adiaha’s parents. Unnamed members stay unnamed. These are narrative relationships in Dayrell’s mediated collection, not natural species ancestry or verified historical households.
Attributed narrativeMother and two daughters explicitly linked in tale XXIV.
Read with: Oil Woman (Southern Nigerian tale)
Method, limits & sources
Explicit parentage in the named collected tale.
The father is not named. The husband and his other wife are not inserted as descendants. These are narrative relationships in Dayrell’s mediated collection, not natural species ancestry or verified historical households.
Attributed narrativeThe explicit mother-child relationship in tale VIII.
Read with: Skull Bridegroom (Calabar tale)
Method, limits & sources
Explicit parentage in the named collected tale.
Neither the Skull’s father nor further children are supplied. Afiong remains his wife, not his mother’s biological daughter. These are narrative relationships in Dayrell’s mediated collection, not natural species ancestry or verified historical households.
Attributed narrativeOnly the two sons and parent household described in Adi Parva XVI.
Read with: Garuda
Method, limits & sources
Explicit eggs, birth sequence and named mother within the Kasyapa household.
The first child is identified as Surya’s charioteer but unnamed in this section. Its birth interval is narrated time, not a zoological estimate. Kadru’s serpent brood is a separate maternal family. No universal Garuda genealogy is inferred.
Attributed narrativeOne explicitly named parent-child relationship in story IV of the 1917 collection.
Read with: Anansi · Kweku Tsin
Method, limits & sources
Retain the story’s explicit identification of Kweku Tsin as Anansi’s eldest son.
Selected textual kinship, not biological evolution. Other children and the wife are present but unnamed here; this is not a complete family tree. The collectors selected and retold contributor versions, and their colonial framing is not treated as a modern account of Akan communities or all diaspora traditions.
Attributed narrativePegasus and Chrysaor at Library 2.4.2; Pegasus's parentage is repeated at 2.3.2.
Read with: Medusa · Pegasus
Method, limits & sources
Use the explicit statement that Medusa had Pegasus and Chrysaor by Poseidon, rather than inferring parentage from the beheading scene alone.
A supernatural birth narrative in this particular text. Perseus causes the emergence by beheading Medusa but is not identified as a parent. Chrysaor has no local profile yet and is retained as a named node. No direct biological ancestry is implied.
Attributed narrativeSelected divine generations explicitly enumerated in the translated History of Creation A.
Read with: Khepri · Shu · Tefnut · Geb · Nut · Osiris · Set · Isis · Nephthys
Method, limits & sources
Follow the translator's named production of Shu and Tefnut, their joint offspring Geb and Nut, and the latter pair's enumerated children. Paired nodes identify two parents; they are not single organisms.
A divine genealogy in one translated recension, not biological evolution or a harmonized account of all Egyptian traditions. Creation B differs. The source's Heru-khent-an-maati, glossed Blind Horus, remains an unlinked named node to avoid confusing him with later Horus parentage. Budge's historical translation and commentary are not a modern consensus edition.
Attributed narrativeThe dragon guarding the golden apples, Theogony lines 333–336.
Read with: Ladon
Method, limits & sources
Use the explicitly repeated Ceto–Phorcys parentage of the guarding snake in Evelyn-White's translation.
The poem describes the dragon without naming Ladon; the local Ladon profile covers this guardian. This parentage conflicts with the Typhon–Echidna pair in Library 2.5.11, so the two source versions are separate trees. This is not a biological phylogeny and does not settle all later traditions.
Attributed narrativeThe three sons explicitly named and ordered by Regin in chapterXIV.
Read with: Fáfnir · Ótr
Method, limits & sources
Preserve the stated father and three sons; retain local links for Fafnir and Otter, with Regin as an external named node.
Selected saga-text parentage, not biological phylogeny. Mother and further ancestry are not supplied. Different animal forms do not define a zoological family. Grani’s separate association with Sleipnir’s kin is deliberately excluded because no exact generation is stated.
Attributed narrativeThree children explicitly named in Gylfaginning chapter XXXIV.
Read with: Fenrir · Jörmungandr
Method, limits & sources
Read the named parental pair and its enumerated children in Brodeur's translation. A joint-parent node represents two parents, not a single ancestor.
A relationship in this medieval narrative, not a biological phylogeny or a synthesis of every Norse source. Hel is a named figure here, distinct from uses of Hel as a place. Other children of Loki are outside this selected branch.
Attributed narrativeThe explicitly stated father–son relationship in the selected |Xam narrative.
Read with: Mantis (|Xam narratives) · !Gaunu-tsaxau
Method, limits & sources
Opening father references and the translator’s note 1 identify the parent and child.
One transcribed and translated narrative witness; no mother or further descendants are supplied. The narrator’s characters are not a biological mantis lineage. Historical transcription symbols are retained.
Attributed narrativeExplicit mother-child relationship on printed page161 and the daughter’s jointly parented son on page166 of the1884 translation.
Read with: Ravòrombé
Method, limits & sources
Follow the bird’s egg-laying and explicit naming of her daughter, then the final page’s named marriage and son; retain the two generations of Andriambahòaka as distinct people.
Selected supernatural textual genealogy, not biological evolution. Other eggs hatch into unnamed birds and are not individually reconstructed. The father of Ramàitsoanàla is not supplied, while her own son’s father is named. Missionary translation mediates the account; unidentified contributors and the earlier missing narrative page remain unresolved.
Attributed narrativeExplicit named parentage in Library 2.3.1, 2.5.10, 2.5.11 and 3.5.8.
Read with: Typhon · Echidna · Chimera · Orthrus · Ladon · Sphinx (Greek)
Method, limits & sources
Combine four explicit parentage statements within one named work, keeping each creature under the stated Typhon–Echidna pair.
This is a selected version attributed to Pseudo-Apollodorus. The Hesperides' dragon is identified with the Ladon profile, although this passage calls it the dragon rather than using that name. Hesiod gives that dragon different parents; the alternative remains separate. Sphinx means the Greek figure. Fosterers, killers and owners are not parents.
Attributed narrativeSleipnir's origin in the fortress-builder episode, chapter XLII.
Read with: Sleipnir
Method, limits & sources
Identify the foal introduced in the Sleipnir discussion: Loki, in mare form, encounters the stallion Svadilfari and later gives birth.
The root names the two narrative parents. Loki's mare form is a transformation of that character, not a separate ancestor. Odin's later possession of the horse is not parentage. This is textual genealogy, not biological evolution.
Attributed narrativeExplicit mother and son in the selected1910 collected tale.
Read with: Thunder Sheep and Lightning Ram
Method, limits & sources
Retain Thunder as the old mother sheep and Lightning as her ram son; the collective entry represents both figures.
Narrative kinship rather than biological phylogeny or atmospheric science. No father or additional descendants are named. Colonial collection and editorial mediation do not establish a first oral date or consensus across contemporary communities. The root entry link points to the collective storm-family profile.
Attributed narrativeThe three sequentially enumerated offspring at Theogony lines 306–318.
Read with: Typhon · Echidna · Orthrus · Cerberus · Lernaean Hydra
Method, limits & sources
Follow the explicitly named pairing of Typhaon and Echidna and the first, second and third offspring in Evelyn-White's translation.
Selected parentage in Hesiod. Typhaon is the name used here for Typhon. Later Chimera and Sphinx passages involve interpretive pronoun questions; those are not silently appended. Hera's nourishment of Hydra is not maternity. No claim of zoological ancestry.
Attributed narrativeThe Eagles, pp. 30–31, within the complete pp. 29–36 narrative.
Read with: The Queen Changed into a Basilisk
Method, limits & sources
Explicit own little son wording.
The son’s father is unspecified. The king’s remarriage does not prove paternity. The queen kills the boy in her basilisk form; no revival or descendants are supplied. Her thirteen stepchildren remain in the separate first-marriage tree.
Attributed narrativeThe complete main account, pp. 259–261; the separate addition on p. 262 names Mooinaskw.
Read with: Mooinaskw, the foster bear (Rand’s accounts)
Method, limits & sources
Two child-group branches distinguish stated cubs from a human child cared for in the den.
The human branch denotes nourishment and shelter, not biological birth or a formal adoption ceremony. The main story is attributed through Benjamin Brooks to his grandfather’s second wife; the separate addition is attributed to Mrs. Jim Paul at Dartmouth, 10 May 1870. No birth parents or subsequent named descendants of the human child are supplied.
Attributed narrativeBompas’s 1909 English translation, tale LXXIII.
Read with: Bonga bride of the youngest of seven brothers · Rescuing son of the seven-brothers bonga bride
Method, limits & sources
Explicit marriage, birth and paternal kinship in the complete named tale.
Jhades Jogi is an abductor, not father. The Bohmae birds hold his life; they are not his children. Six aunts provide care, not birth motherhood. Names of the human brothers are not supplied.
Attributed narrativeBompas’s 1909 English translation, tale LXIX.
Read with: Dukhu’s bonga wife
Method, limits & sources
Direct father–mother–daughter introduction and explicitly identified grandson at departure.
Dukhu’s father Bhagrit is a father-in-law, not the bonga wife’s birth father. Tigers, leopards and snakes in her parents’ house are not called kin. The fish transformation does not introduce another mother. No universal bonga lineage is inferred.
Attributed narrativeFancha and the Magpie, Griffis’s literary 1922 collection.
Read with: Three celestial sisters in the Fancha tale
Method, limits & sources
Explicit sisterhood, youngest sister’s childbirth and her son’s children in the named chapter.
The three-sister profile is collective; only the youngest births Golden Family Stem. No father is supplied for his miraculous conception. Mrs. Crinkles is a story character, not a verified informant. Dynastic claims are literary narrative, not verified biological ancestry of living peoples.
Attributed narrativeChapter XIV IX, pp. 277–279.
Read with: Changing Mare and Foal of the Nine Peahens
Method, limits & sources
The foal explicitly follows its mother, through their coordinated changes of form.
Forms are not descendants. The prince’s reward horse is a separate selection and is not stated to be the foal; the mare’s owner is not her mother. Historical English retelling, 1921 reprint of the 1914 publication.
Attributed narrativeExplicit family statements in Umamba, pp. 321–331; two mothers are sisters.
Read with: Umamba in Callaway’s Serpent-Skin Tale
Method, limits & sources
The father identifies both sons; their mothers are individually described as sisters.
Mothers are named by relationship, not invented personal names. Their sisterhood also makes the sons maternal cousins. The unnamed sister’s precise parentage remains unstated, so she is omitted here. Snake disguise does not indicate snake descent.
Attributed narrativeCrane VI, pp. 30–35, a selected English presentation after Comparetti no. 32 from Pisa.
Read with: Blood-feeding Cloud Fairy of Pisa · Avenging Fairy Sisters of the Cloud
Method, limits & sources
Explicit sibling identification on p. 34, following the complete tale.
The two avenging sisters are unnamed. This is a sibling group, not an invented common-parent genealogy. The seven-headed tigress contains the external-life egg but is not called a relative. Captive maidens’ Mamma address is not biological parentage.
Attributed narrativeThe explicitly stated grandparent relationship in Hunt’s complete English tale 29.
Read with: Devil with Three Golden Hairs
Method, limits & sources
The branch directly represents grandmother-to-grandson kinship; it skips an unspecified intermediate generation.
No intervening parent, other ancestor or personal name for the grandmother is supplied. The visitor’s temporary ant appearance is a disguise, not descent from either figure.
Attributed narrativeThe extraordinary birth stated on p. 101, within the complete tale on pp. 100-105.
Read with: Dog-born Lions of the Slices of Fish · Twelve-slice Fish in Pedroso’s Tale
Method, limits & sources
One maternal branch records the three offspring collectively.
The fish’s portions precede the births; the fish is not identified as a parent. No lion father or personal names are supplied. This narrative genealogy makes no zoological claim.
Attributed narrativeOnly the named numbered tale in Hunt’s 1884 Grimm translation.
Read with: Donkey Prince (Grimm)
Method, limits & sources
Explicit parentage and birth order in the primary narrative.
The second king later becomes a father-in-law and is not substituted for the prince’s own father. Animal form is a literary condition, not zoological hybridity.
Attributed narrativeComplete Dragon-Princess narrative and note, pp.151–161.
Read with: Dragon princess of Dungting · Tsian Tang
Method, limits & sources
Explicit king–brother relation, named uncle, king and queen’s daughter, later completed marriage and son.
The root represents two brothers, not an invented parent. The princess’s older siblings are unstated individually. Her former Ging Dschou marriage is distinct from the later Liu I marriage; no son is assigned to the former husband. The separate princesses in XLV and XLVI are not merged.
Attributed narrativeComplete The Whirlwind, pp. 37–52.
Read with: The Seven-Inch Whirlwind Magician · The Giant-Head with Basilisk Eyes
Method, limits & sources
Horse’s brother identification and the Giant-Head’s confirming account, pp. 43–46.
Sibling grouping, not a parent node. Parents and birth order unnamed. Different giant/dwarf bodies do not imply different families or a natural taxonomy. Ladna rejects the dwarf; her completed marriage is to Dobrotek, not her captor. Both brothers are destroyed before the final wedding.
Attributed narrativeComplete How a Nama Woman Outwitted the Elephants, historical English rendering; underlying manuscript not independently inspected.
Read with: Elephant Husband and the Dividing Rock (Bleek tale)
Method, limits & sources
Blind mother explicitly calls the elephant her eldest son.
No father or named sibling is supplied. The human wife and her two brothers are affinity relations, excluded from this biological branch. This story family is not natural zoological ancestry or a pedigree of a contemporary community.
Attributed narrativeComplete English adaptation, pp. 30–41; stepfamily statements on pp. 32–35.
Read with: The Twins with Golden Stars
Method, limits & sources
Explicit daughter from the stepmother’s first marriage and subsequent second royal marriage.
This is the father’s stepfamily, not the twins’ biological maternal lineage. No father of the emperor or children of his second marriage are newly inferred. The stepmother’s brother is stated but has no supplied parentage.
Attributed narrativeBourhill and Drake’s 1908 literary presentation, XI, labelled A Swazi Tale, specifically the chief’s explanation on p. 135.
Read with: Golden Cock and the Enchanted Fowl Polity
Method, limits & sources
The speaking Cock explicitly identifies daughters whose proposed marriages he refused.
Unnamed daughters remain collective. The rejected suitors are not spouses. All subjects enchanted into fowls are not thereby children of the chief. Human and cock forms are one narrative identity, not separate generations. This is a source-specific historical literary witness, not a universal genealogy or independently verified contemporary oral account.
Attributed narrativeThe hag’s three daughters, one son and explicitly identified sister.
Read with: Hawk Sister of the Enchantment Hag
Method, limits & sources
Explicit family statements in the named Jacobs retelling.
The top node groups sibling households; it is not a parent or ancestor. The children’s father is not stated. The pursuing hawk is the sister’s transformed appearance, not an additional relative.
Attributed narrativeThe Rabbit Prince, chapter V, printed pp. 49–52.
Read with: Feather Princess of Cloudland
Method, limits & sources
The Princess expressly identifies her father and mother; both appear to greet her.
Joint-parent label groups two stated people, not an organism. Bird and human forms remain identities, not generations. Rabbit Prince is her chosen husband, not a child or sibling; magical companions are not relatives.
Attributed narrativeRoth’s 1915 §210 tale, pp. 263–265, female Bush Spirit/Hebu explicitly distinguished in a footnote from the same-named old man of §19.
Read with: Nahakoboni
Method, limits & sources
The narrative expressly identifies two daughters and differentiates elder and younger.
No father or personal names of daughters are supplied. The younger daughter marries Nohi-abassi; a branching parent–child tree does not draw that marriage as descent. The female witness is not conflated with the unrelated same-named old man. This is a historical collected narrative, not biological phylogeny or a universal community genealogy.
Attributed narrativeOnly the collective children and grandchildren explicitly stated on p. 498.
Read with: Giant Prince of the Three Damsels’ Fire Tale
Method, limits & sources
Two descendant generations are shown collectively, without inventing individual households.
No names, counts or sex assignments are supplied for descendants. Collective branches do not mean every child had children. Helga is specific to this telling; same-named heroines in other tales are not merged.
Attributed narrativeComplete Frog Princess, pp. 1–14.
Read with: Frog Princess in Gliński and Biggs
Method, limits & sources
The princess’s explicit mother identification on p. 7.
No father or siblings supplied. Seven handmaidens are attendants, not daughters or sisters. The king is her father-in-law, and resemblance to his deceased queen is not parentage. No Vasilisa identity inferred.
Attributed narrativeJan Shah’s nested narrative, pp. 217–220, in Bateman’s Zanzibar Tales.
Read with: Sayadaatee Shems
Method, limits & sources
The three women are explicitly daughters of the sultan, and Sayadaatee Shems is designated youngest.
No mother is identified. The birds and women are forms of the same daughters, not generations. Jan Shah is a husband, not a child; the old man’s affection as if Jan Shah were his son is a simile, not stated descent.
Attributed narrativeComplete English adaptation, pp. 91–104; nest parentage and subsequent fostering.
Read with: The Foster Griffin and Its Young · Little Wild-Rose, the Radiant Child
Method, limits & sources
Narrator-stated children and later care for the previously existing human child; labels distinguish fostering from birth.
The bird is initially described uncertainly as vulture or griffin; no lion anatomy is supplied. Own offspring number and other parent are unknown. Wild-Rose appears beside the old man after he eats the apple half, with no narrated pregnancy; the archangel is a rescuer, not an inferred parent. Romanian originals have not been collated.
Attributed narrativeThe nesting household in StoryXV, pp98–101; no wider Gryphon genealogy.
Read with: Grateful Gryphon family
Method, limits & sources
Explicit mother, father and three young in the English narrative.
The joint-parent grouping is not a new creature. Individual names and the young’s sexes are unstated. The human rescuer is a guest, not adopted offspring. Historical collector mediation remains explicit.
Attributed narrativeComplete Headless Princess narrative, pp.276–279, in the hosted Hurst edition.
Read with: Head-Removing Princess
Method, limits & sources
Narrator’s explicit king and daughter designations.
No mother, siblings, spouse or children of the princess are stated. The priest’s son and advising old woman are unrelated participants; granny address is not a genealogical proof. Original Russian source not independently collated.
Attributed narrativeThe slain son, his avenging father and the mother’s explicit husband-and-son declaration.
Read with: Monster Family of the Big Men’s Kingdom
Method, limits & sources
Explicit family statements in the named Jacobs retelling.
Unnamed tale characters remain unnamed. The unrelated king of the Big Men is not their father or clan ancestor.
Attributed narrativePrincess Pepperina in Steel’s 1894 collection.
Read with: Jinn who raises Princess Pepperina · Princess Pepperina (Shâhzâdî Mirchâ)
Method, limits & sources
The Jinn’s explicit care from egg sheltering through marriage consent.
This represents guardianship and fostering, not birth descent. Later bird forms of the Jinn and Pepperina are transformations, not additional family members.
Attributed narrativeTwo marriages of the unnamed father and their explicitly distinguished children in tale 47.
Read with: Juniper-Tree Bird
Method, limits & sources
Parentage stated in the opening; the ending confirms the bird’s restored identity as the boy.
Marriage nodes explain different mothers, not extra ancestors. The boy and bird are one narrative identity. Unnamed parents remain unnamed; no taxonomic bird identification is inferred.
Attributed narrativeThe complete King of Love narrative, pp. 1–6; not the following Crystal King summary.
Read with: King of Love, Pitrè’s Green-Bird Husband · Ogress Mother of the King of Love
Method, limits & sources
Explicit mother connected to her son and separate unnamed daughters.
The King’s father and the number of daughters are unstated. Bird and human appearances are one character. Rosella’s newborn has no supplied name or sex; this graph does not infer additional parents. The seven ogresses are a sibling set, while the letter recipient is separately a friend. No identity with Classical Eros is asserted.
Attributed narrativeThe Serpent’s Bride, Part I, chapter VIII, printed p. 98.
Read with: King of the Waters in Timba’s Tale
Method, limits & sources
The restored ruler explicitly remembers his father and says he is long dead.
Hostile king and magician are enemies, not family. The ruler’s serpent and human forms are one individual. No mother or children are stated; Timba’s marriage is separate from descent.
Attributed narrativeXLIII, The Seven Foals only.
Read with: Seven Foal Princes
Method, limits & sources
Explicit family relationships in the named translated tale.
The princes explicitly call the princess their sister; the king subsequently calls them his sons. The queen or other parent is not named. Boots is the princess’s bridegroom, not one of the brothers.
Attributed narrativeThe Kulawa / Bolanai taro-origin tale in Ker’s 1910 collection.
Read with: Snake Child of Kulawa and Bolanai
Method, limits & sources
Explicit parentage in Ker’s historical English telling.
No father is identified. The eaten snake is not represented as a father. The later taro transformation is distinct from parentage.
Attributed narrativeThe selected 1844 English telling, XXII, pp. 133-139.
Read with: Mermaid (merrow)
Method, limits & sources
The merrow’s stated parents lead to their daughter; her marriage is labelled alongside her and her own three children branch below.
The sea parents and the merrow herself are personally unnamed; siblings have no count or individual pedigree and are not added as invented leaves. The two boys are unnamed. This version-specific family is not a genealogy of merrows as a class, and Dick’s explanation for her absence remains his belief.
Attributed narrativeThe complete main telling, pp. 85–88; later summarized comparative versions are excluded.
Read with: Magician Father in Love with a Statue
Method, limits & sources
Explicit father declaration and mother–children statements establish two generations.
The daughter and two children are unnamed; child genders and birth order are unstated. The black bird is not expressly the magician in another shape. Later variant healing sequences and donors are not blended into this family.
Attributed narrativeThe expressly identified father and son in the baboons episode.
Read with: Mantis (|Xam narratives) · !Gaunu-tsaxau
Method, limits & sources
Repeated father/son wording in the narrative, its opening note and the reunion scene.
Bleek and Lloyd’s historical English translation mediates this witness. The household also uses grandfather and grandson addresses; those addresses alone do not establish additional biological generations here. Other Mantis traditions and the distinct Great Star narrative are not combined.
Attributed narrativeLibrary 3.1.3–4, Frazer’s English translation: Poseidon’s bull and Pasiphae’s child.
Read with: Minotaur
Method, limits & sources
Explicit coupling and birth statements establish the named maternal and bull paternal relationship.
Minos is not the biological father in this account. The child Asterius is distinct from Europa’s husband of the same name. No later offspring, zoological ancestry or merger with rationalizing accounts is inferred.
Attributed narrativeII.—22, the prose account pp.59–65, dictated in 1875; the opening prayer is excluded.
Read with: Mourning Man Transformed into a Hare
Method, limits & sources
Repeated literal mother designation and explicit former-man identification.
The mother has no personal name and no father is supplied. The promised restoration to life is not performed in the account. Transformation into a hare does not create a separate son or establish natural zoological descent.
Attributed narrativeExplicit births and sibling relationships in Story XII, a Nepal-set tale in O’Connor’s Tibetan collection.
Read with: Mouse mother of three extraordinary children · Tiger son of the mouse · Peacock son of the mouse · Jewel-haired son of the mouse
Method, limits & sources
Mother and offspring named directly in the narrative; birth sequence retained.
The Mouse initially lives with a husband, but the births do not explicitly identify a father. Prayers do not establish divine parentage. Recruited tigers and peacocks are not additional siblings. This is a translated literary witness, not biological evolution.
Attributed narrativeComplete pp. 53–68 narrative; opening p. 57 and revelation pp. 66–67.
Read with: The Murdered King Raised by the Guitar
Method, limits & sources
Explicit elder brother succession and revenant’s brother address.
Parents and descendants unspecified. The ferryman’s two elder brothers belong to a separate family. The revenant vanishes after the younger brother dies; no continuing restored reign is implied.
Attributed narrativeParker’s 1910 English collection, tale No. 47.
Read with: Nāga King in The Golden Tree · Three nāga princesses of the Golden Tree
Method, limits & sources
Repeated explicit father–daughter statements in the named tale.
Three daughters share one profile. No mother is identified, and daughter-to-transformation or daughter-to-husband mappings are unspecified. The human princes’ father is a different king.
Attributed narrativeBourhill and Drake, chapter I, printed p. 14.
Read with: Two-Eyed One-Legged Ogre of Setuli’s Tale
Method, limits & sources
The narrator expressly calls the large ogre father of the surrounding small ogres.
The apparent death is reversed in the story. The offspring vanish when the feather-ball is recovered, but the passage does not explain their birth or name a mother. Their collective branch does not fabricate individual names or exact counts.
Attributed narrativeParker’s main tale No. 48, distinct from his comparison notes.
Read with: Rākshasa father in The Seven Princesses · Rākshasī mother in The Seven Princesses · Rākshasī queen in The Seven Princesses
Method, limits & sources
Explicit household parentage and the daughter’s mother-addressed letter.
Seven daughters are distinct from the seven human princesses. One daughter is accidentally eaten; no daughter names are supplied. The main tale does not give the queen an external-life bird or narrate her death.
Attributed narrativeThe Reward of Industry, chapter XIII, printed pp. 151–154.
Read with: Bird-Form Orphan Sisters
Method, limits & sources
The opening and journey explicitly establish the chief and his wife as parents of the two girls.
Girls remain one pair through bird transformation. The later Fairy is an adoptive grandmother, not established biological ancestor; her intervening claimed descent is kept distinct from the narrator’s adoption wording. No individual names, modern species lineage or general regional pedigree is inferred.
Attributed narrativeThe prince and his unnamed human parents in pp. 221–237.
Read with: Ox-Riding Prince of Ubongopa’s Tale
Method, limits & sources
The opening birth account and the reunion with father and mother on p. 236.
The parent pair is grouped because this is a descendant tree, not a biological species tree. No personal names are invented. The offered damsel departs after rejection on p. 237; no completed marriage is shown.
Attributed narrativeComplete selected English translation, XXIX, pp. 116–121.
Read with: Blue-stone Children in Pedroso’s Tale
Method, limits & sources
Explicit mother and three separately narrated male births; grandparents follow the opening royal household.
The earlier keepsakes are later identified as the boys, but no transformation mechanism or coherent chronology is supplied. No human restoration is narrated. Fatherhood is not assigned merely from the prince’s partnership. The maternal queen is distinct from the prince’s hostile mother.
Attributed narrativeVIII, The Twelve Wild Ducks only.
Read with: Twelve Wild Duck Brothers
Method, limits & sources
Explicit family relationships in the named translated tale.
The daughter’s double name denotes one girl, not the two Grimm sisters. No unnamed father is supplied. Transformations are narrative events, not biological evolution.
Attributed narrativeThe Boy whom Seven Mothers Suckled, pp. 113–118.
Read with: Rakshasi mother beyond the ocean · Rakshasi queen in the seven-mothers tale
Method, limits & sources
The queen’s direct identification of the older Rakshasi as her mother.
The hero pretends to be a grandson, so he is excluded. The caged bird contains the queen’s life and is not a relative. This is one named tale; the mother’s death is not stated.
Attributed narrativeThe Wonderful Bird, complete English adaptation, pp. 16–29; family statement on p. 22.
Read with: The Fox Released by Hospitality
Method, limits & sources
The restored hero’s explicit statement that he is married and has children.
The wife and children are unnamed, and the children’s exact number and ages are unstated. No reunion is narrated. Fox and human hero are the same individual; the prince and his sworn brother belong to other families. Romanian originals have not been collated.
Attributed narrativeComplete short narrative, pp.32–33, in the hosted Hurst edition.
Read with: Returning Nursing Mother
Method, limits & sources
Explicit wife, childbirth and son designations.
Neither parent nor infant has a personal name. The hired caregiver is not another birth parent. Both mother and son are dead by the ending; no performed resurrection or descendants are supplied. Original Russian source not independently collated.
Attributed narrativeThe complete The Bird With Nine Heads narrative and its accompanying note, pp.13–17.
Read with: Chinese dragon
Method, limits & sources
The youth released from fish form is explicitly called the sea-dragon’s son.
This two-person parentage belongs to this named tale, not every Chinese dragon. Sworn brotherhood with the human rescuer and reciprocal social fatherhood are excluded from the biological branch. No mother, personal names or further dragon generations are supplied.
Attributed narrativeComplete Meamei the Seven Sisters narrative.
Read with: Meamei, the Seven Sisters
Method, limits & sources
Seven girls expressly called sisters, divided temporarily into two abducted and five departed sisters.
The root represents sibling membership, not a parent. No individual names, parental identities or birth order are supplied. Wurrunnah’s coercive wife claim is not incorporated as a consensual marriage.
Attributed narrativeAurora tale III.11, pp. 403–404; two named offspring and other unnamed young.
Read with: Betawerai and Walolo
Method, limits & sources
The original snake brings forth many young, of whom Betawerai and Walolo are expressly the two chief ones.
The snake parent is unnamed. The separate pregnant human survivor and her twin boys belong to a different household; neither human twin is a child of the snake. Historical translated narrative, not biological species ancestry.
Attributed narrativeThe expressly introduced household in Griffis’s 1887 English telling, pp. 32-33.
Read with: The Tongue-cut Sparrow’s Household
Method, limits & sources
A joint-parent heading branches to the two named daughters in their stated birth order.
No further ancestors or offspring are supplied. The human visitor’s later adopted son belongs to his own household; he is not another sparrow sibling. No Japanese-language witness was independently collated.
Attributed narrativeThe Sparrow’s Wonderful Brood, pp. 78–84.
Read with: Hpea-loo of the sparrow’s brood
Method, limits & sources
Five eggs from one mother hatch in a specified order; later narration and dialogue identify the hatchlings as brothers.
Narrative family only, not real interspecies reproduction or evolution. Sa Kyah protects the eggs but is not called their father. No modern animal species identification is supplied.
Attributed narrativeComplete pp. 53–68 narrative; mother–son episode pp. 58–60.
Read with: The Sun and His Spinning Mother
Method, limits & sources
Narrator and household conversation identify mother and son.
Father, siblings, spouse and children of the Sun unstated. The ferryman is a visitor; sea maiden’s help and beloved label do not establish a completed wedding.
Attributed narrativeParentage explicitly stated in the French translation of this Louyi account.
Read with: The Child-Swallowing Father · Kambala-Matindi
Method, limits & sources
The parents and children follow the text’s family terms; the daughter’s later spouse is recorded in her label.
Unnamed characters retain descriptive labels. Repeated child counts are uneven, so no fixed census or invented names are supplied. The bird’s marriage is not drawn as biological parentage. French translation inspected; original Louyi not independently translated.
Attributed narrativeUmatshotsha (Umkamafuta)’s Unthlangunthlangu narrative in Callaway’s bilingual historical edition, pp. 267–280.
Read with: Ten Children of the Snake in Callaway’s Tale
Method, limits & sources
The snake covering yields ten children; the recognition dialogue explicitly affirms their father and mother. The first two are named in the emergence sequence.
A joint-parent root groups two stated parents, not one organism. The single snake birth and ten emergent children form one narrative event, not a separate snake ancestor followed by human descendants. Boa is the historical translation, not verified zoological identification. Maternal grandmother is explicitly attested separately but not drawn as parent of the joint root. Eight unnamed siblings stay collective rather than fabricated individual profiles.
Attributed narrativeOnly the named numbered tale in Hunt’s 1884 Grimm translation.
Read with: One-Eye and Three-Eyes
Method, limits & sources
Explicit parentage and birth order in the primary narrative.
No father is specified. Eye count labels identify individual sisters, not distinct peoples or medical categories.
Attributed narrativeComplete story 84, pp. 345–347, the cave household below Tallulah falls.
Read with: Thunder household (Tallulah)
Method, limits & sources
A sibling cluster records the explicitly identified two sisters and their brother; its heading represents a group, not a parent.
No parent or individual personal name is supplied. Only the two sisters’ relative age is stated. The visitor’s prospective marriage remains incomplete; turtles and uktena mounts are excluded from genealogy.
Attributed narrativeOnly the eleven daughters expressly assigned to this troll mother.
Read with: Troll Mother Who Curses the Twelve Princes
Method, limits & sources
The children follow the narrative’s repeated daughter references.
No father is named. The human princess is a kidnapped servant, not a twelfth daughter. Sleeping arrangements with the princes do not establish marriages.
Attributed narrativeComplete Terrible Olli retelling, pp.157–170.
Read with: Troll Couple of Fillmore’s Terrible Olli
Method, limits & sources
Male troll’s explicit daughters designation; wife relationship stated separately.
The daughters are unnamed and all are killed. No completed marriages to the human brothers are stated. The female troll is his wife, but her biological motherhood is not independently supplied. Other troll guests are not assumed kin.
Attributed narrativeComplete The Eagles, pp. 29–36.
Read with: The Twelve Eagle Brothers of Gliński’s Tale · The Queen Changed into a Basilisk
Method, limits & sources
Opening first-couple family count and explicit stepchildren distinction.
Both first-marriage parents and all children unnamed. The second queen is stepmother, not the deceased biological mother. Her own son is separate, without stated paternal identity. Eagle and dove forms preserve identities; no natural bird genealogy is implied.
Attributed narrativeThe explicitly stated king, queen and twelve unnamed sons.
Read with: Twelve Ox Princes of Thorsteinn’s Tale
Method, limits & sources
Joint-parent branching follows the opening and the later father’s recognition.
The men and ox forms are one set of twelve sons. Thorsteinn is another household’s son, and succession by gratitude does not make him a biological son of this king. No individual brother names are supplied.
Attributed narrativeComplete Goonur, the Woman-Doctor narrative.
Read with: Goonur, the Mother Doctor · Guddah and Beereeun, the Gwaibillah Wives
Method, limits & sources
Explicit mother and son, with the son’s two named spouses retained as an annotation.
Mother and son share a name but are separate people. Guddah and Beereeun are spouses, not biological children of the doctor; their sisterhood and offspring are unstated. Narrative healing is not medical guidance.
Attributed narrativeThe complete Ne Hwas narrative, introduced as a variant obtained by Mrs. W. Wallace Brown.
Read with: Ne Hwas
Method, limits & sources
Opening explicitly names family roles: father, his wife and their two daughters.
No individual teller, parental names or daughters’ birth order are supplied. This variant is kept distinct from the preceding two water-snakes story. Leland’s identification of the unnamed hair-cutter with Lox and his Norse borrowing theory are not adopted.
Attributed narrativeNorwan’s narrator references, pp. 98–102.
Read with: Tede Wiu brothers (Norwan cycle)
Method, limits & sources
Two explicit sibling branches.
The grouping root is not a parent. No names for their birth parents are supplied. Other allies’ familial addresses do not expand this literal two-person group into a shared biological household.
Attributed narrativeComplete The Water Snake, printed pp. 126–128, hosted Hurst edition.
Read with: Osip, the Water-Snake Husband · Cuckoo Wife of the Water Snake
Method, limits & sources
Explicit mother–daughter and mother–children statements; Osip is recorded as spouse in the daughter’s label.
All human relatives are unnamed. The son and daughter’s birth order is unstated. Bird forms preserve narrative identities, not zoological genealogy. No extended snake family, Water King identity or Nāga ancestry is inferred from the translator’s commentary. Physical edition date is not supplied here.
Attributed narrativeRoth’s historical English translation of the Warao tale How Sickness and Death Came into the World, section 190, pp. 250–251.
Read with: Ho-aránni (Warao)
Method, limits & sources
The householder calls the fisherman’s wife his daughter and another individual his son. Only those stated parent–child relations form the branching tree.
Unnamed story participants are not universal ancestors of Ho-aránni. No mother is stated. The human husband is an affinal relation, not a child, and the requested second marriage is not shown completed. The tale’s sickness explanation is preserved as narrative testimony, not medical causation or a statement about all contemporary Warao beliefs.
Attributed narrativeBusk’s Tale XXII, pp. 216–220.
Read with: White Serpent-king of the pearl shells · Bagatur-Ssedkiltu (Princess Goldfrog)
Method, limits & sources
The king explicitly calls Goldfrog his daughter and the rescued serpent his only son.
No mother is identified. The red dog is a gift, not a stated daughter; transformed forms are not separate generations.
Attributed narrativeStoryXV, pp94–96, in O’Connor’s1906 English collection; no universal Tibetan fairy genealogy is implied.
Read with: Fairy king in white-drake form · White-duck fairy princess
Method, limits & sources
Explicit king’s statement and subsequent appearance with his middle daughter.
Mother and other daughters’ names are unstated. Bird and fairy forms are identities of the same characters. The collector’s historical translation is the witness; no Tibetan-language original or individual narrator is independently checked.
Attributed narrativeThe Son of Seven Mothers in Steel’s 1894 collection.
Read with: Mother of the white hind witch · White hind witch in The Son of Seven Mothers
Method, limits & sources
Explicit childbirth, kinship and family recognition in the named tale.
Distinct from Day’s related Rakshasi tale. The hero’s blood revived by the old witch does not make her his biological mother.
Attributed narrativeThe explicit father-and-son recognition and final marriage in Pedroso XXIV, pp. 99-100.
Read with: Yellow Fish-Prince of Pedroso’s Hearth-Cat
Method, limits & sources
One paternal branch records the prince; his wife is labelled alongside him.
The king, prince and maiden are personally unnamed. No mother or offspring are supplied. Fish appearance is the prince’s enchantment, not an animal parent. The king’s proposal to the maiden is not a completed marriage.
Attributed narrativeIm Bang’s tale XXIV in Gale’s 1913 English translation.
Read with: Immortal household encountered by the Ka-pyong student
Method, limits & sources
Explicit master’s children and daughter’s later childbirth in the named tale.
All individual names remain unspecified. The master’s two sons are not his daughter’s two sons. Her mother appears as the visitor’s mother-in-law, but motherhood of the two older boys is not independently stated. Age comparisons to animals do not imply transformations.
Attributed narrativeComplete selected English telling, pp. 40–42.
Read with: Accusing Bone of the Murdered Griffin-Seeker
Method, limits & sources
Opening father/three-son statement and the bone’s changing father/brother addresses.
All four family members are unnamed. Mother and elder sons’ relative ages are unstated. The bone represents the murdered youngest prince; no resurrection or separate fourth child is narrated. The griffin and helpful old man are excluded from kinship.
Attributed narrativeThe south, north and north-east Winds and the mothers in their separate homes.
Read with: Three Winds of the Crows’ Tower Quest
Method, limits & sources
Each maternal branch follows an explicit mother-and-son exchange. The top heading groups selected households, not a common ancestor.
The mothers are unnamed. No father or sibling relationship between the three winds is stated, and the maiden is a visitor, not a daughter.
Attributed narrativeComplete English telling, pp. 69–77; literal sisterhood and youngest sister’s marriage.
Read with: The Three Winged Princesses of the Brazen Mountain
Method, limits & sources
Explicit sister statements, relative elder/youngest labels and completed wedding.
Parents and personal names are unstated. Wing theft and conditional release precede the wedding; the later reunion does not erase that coercive beginning. No offspring or kinship with the miller, birds or monkeys is supplied. Appendix Note IV expressly describes this English version as freely translated and shortened, with the miller conversation changed.
Attributed narrativeComplete English adaptation, pp. 42–55; palace family on pp. 50–53.
Read with: The Three Sisters of the Deathless Palace
Method, limits & sources
Explicit sisters and completed marriage to the youngest.
Parentage and names unstated. The text combines same-age wording with elder/youngest labels; no birth interval is inferred. Only the youngest marries the prince, and no offspring are stated. The returning horse is a companion, not kin. Romanian originals have not been collated.
Attributed narrativeThe named Black Tiger household in Why Black Tiger Killed the Indians, pp. 217–218.
Read with: Tobe-horoanna (Black Tiger)
Method, limits & sources
Sibling grouping and maternal descent expressly stated in this narrative.
The group node represents a stated sibling relationship, not an identified parent. Relatives remain unnamed. The twin sons are distinct from the killed baby of §146; this witness is not a universal Black Tiger genealogy.
Attributed narrativeNamed sibling pairs and marriages in the complete LXXVI telling, pp. 396–400.
Read with: Tornado and Wave (Nancy Jeddore’s account) · Calm and Foam (Nancy Jeddore’s account)
Method, limits & sources
Two sibling groupings; spouse names appear on individual labels rather than connecting grouped profiles as undifferentiated couples.
Grouping roots are not ancestors. Both pairs have living parents, but names and a complete pedigree are not supplied. The closing father Tornado and his younger brother Wave remain distinct from the opening sons with those same names. No children of the two marriages are stated.
Attributed narrativeThe explicit sibling relationships in the complete English telling, with brother statements on pp. 466, 470 and 472.
Read with: Troll Bride Who Enchants Hlinik · Iron-head in Hlinik and Thora
Method, limits & sources
The diagram is a sibling group, not a parent-to-child pedigree.
The group heading is not an ancestor. Parents and any wider troll genealogy are unstated; the younger sister remains unnamed. Hlinik’s final wife is Thora, so the coerced and deceptive troll wedding arrangements are not recast as completed marriage.
Attributed narrativeComplete main story 81, pp. 337–341, the widow-household telling.
Read with: Tsul ‘Kalu
Method, limits & sources
Explicit widow, daughter, older son and two children establish the maternal branches. Tsulʻkălû is the daughter’s stated husband and explicitly identifies the first girl as their child.
Relatives are unnamed. Only the first child is explicitly a girl; the second birth is implicit and its gender and separate paternal declaration are unstated. The alternate parental fragment is excluded. No ritual protocol is reproduced in this family record.
Attributed narrativeThe child born after Sinailele steps over the dead Mauis’ bone heaps.
Read with: Tuimotuliki · Maui Atalanga (Tongan Telling) · Maui Kijikiji (Tongan Telling)
Method, limits & sources
The text names Sinailele as mother and repeatedly calls both Mauis the child’s fathers.
This extraordinary narrative paternity is not a biological reproduction model. Atalanga and Kijikiji are themselves father and son in the preceding episode. They are grouped as jointly stated parents here, not equated or turned into a linear ancestor chain. Later living-family descendant lists are excluded.
Attributed narrativeChurchward’s account.
Read with: The Turtle Brothers of Juju
Method, limits & sources
Explicit parentage.
Father unnamed; turtle appearances are narrative identities.
Attributed narrativeComplete LX, pp. 339–340, attributed to Gabriel Thomas.
Read with: Glooscap (Rand’s collected accounts)
Method, limits & sources
One unnamed maternal branch records the two expressly narrated twins.
Rand explicitly doubts that this account concerns Glooscap. The diagram retains its printed attribution without resolving that doubt. No father or name for the younger twin is provided. Other Glooscap accounts and differently named twin narratives are not merged.
Attributed narrativeTremearne’s main tale 56, The Girl who Married Dodo’s Son, pp. 307–314.
Read with: Dodo’s River Household in the Hausa Marriage Tale
Method, limits & sources
Keep Dodo’s stated son separate from the human youngest wife’s two explicitly identified daughters. The marriage connects the branches affinally.
The root is a diagram grouping, not an ancestor. The human king is husband and bargain-maker but not separately inserted as biological father here. The children playing with the bride are other river-dwellers’ children, not hers. The story’s marriage bargain is coercive; no universal Dodo genealogy is inferred.
Attributed narrativeChapter XIV IX, p. 280.
Read with: Flying Horse Brothers of the Nine Peahens
Method, limits & sources
Direct speech and narration identify the two horses as brothers.
Root groups siblings and does not represent an invented parent. No shared father or mother is named; their ownership and riders are separate relations.
Attributed narrativeComplete story 13, pp. 135–138; two connected episodes with parentage on p. 137.
Read with: Giant Devilfish (Tate’s account)
Method, limits & sources
Explicit statement identifying the later monster as the earlier monster’s offspring.
Neither monster has a personal name, and the older parent’s sex and other parent are unknown. This is narrative parentage, not a natural-species phylogeny. Bird Garment is a warrior, not an identified son of the chief. Eagle and killer-whale victims belong to separate stated households; no lineage across species is inferred.
Attributed narrativeNo.104, L’ogresse et les deux frères, complete narrative pp.103–107; sister episode pp.106–107.
Read with: Reviving Tarente of the Beni Menacer Brothers’ Tale
Method, limits & sources
The French narrator and surviving tarente both explicitly identify the other as her sister.
The two sisters have no personal names, named parents or birth order. They are separate from the human paternal half-brothers. The ogress’s son address is not biological parentage. No modern taxonomic species identification is imposed on the source word tarente.
Attributed narrativeComplete pp. 53–68 narrative; explicit kinship pp. 63, 65–66.
Read with: The Ferryman’s Water-Nymph Wife · The Sea-Maiden Beloved of the Sun
Method, limits & sources
Sister recognition and Goldmore’s own-sister identification.
Parents and sibling order unspecified. The sea maiden’s proposed royal marriage is not completed. No children or relationship to the Sun’s mother is supplied.
Attributed narrativeNamed parentage, pp. 59–60.
Read with: Ka Kma Kharai · U Thlen
Method, limits & sources
Literal parent–child links only.
Thlen’s father is unidentified. Umwai’s courtship does not establish paternity. Suidnoh’s “uncle” address is a disguise, not kinship. The unnamed maternal uncle is omitted.
Attributed narrativeOne explicit father–ox relationship in this collected tale’s editorial note.
Read with: Ubongopa-kamagadhlela
Method, limits & sources
Parentage stated in note 63 on printed p. 221.
The ox’s mother is not named. The prince’s father-of-Ubongopa title is separately interpreted as ownership in note 67, not incorporated as biological parentage.
Attributed narrativeTwo stated parental households whose children marry at p. 88.
Read with: Cho Uhn Hah · You Pang Noo
Method, limits & sources
Named fathers and birth episodes, followed by an explicit wedding.
The root groups two households, not a shared ancestor. Both mothers are unnamed wives of the respective fathers. Birth dreams concern banished attendants; the human lovers are not the prelude’s Ching Yuh and Kyain Oo. The king sponsors the wedding without becoming a biological parent.
Attributed narrativeOpening household description, pp. 331–333, not a genealogy of all later people encountered.
Read with: Unanana-bosele
Method, limits & sources
Two children explicitly assigned to the named mother.
Children’s names, sexes and father are unstated. The third child staying with them is excluded because parentage is not stated. Animal-helper “mother” addresses do not establish ancestry.
Attributed narrativeCompleted kinship in Ganguli’s Adi Parva XIV–XV and LVIII.
Read with: Nāga
Method, limits & sources
Sibling grouping, with the sister’s spouse named on her label and their descendants below.
The two spouses share a name but remain different people. The grouping root is not an ancestor; no shared parents are inferred for Vasuki and his sister here. Descendants are unnamed and uncounted. XIV’s closing formula mistakenly says thirteenth; its heading is SECTION XIV. No wider nāga genealogy is inferred.
Attributed narrativeSpence’s 1908 abbreviated English retelling, pp. 12–15, not an independently collated K’iche’ manuscript.
Read with: Vucub Caquix · Zipacna · Cabrakan
Method, limits & sources
The passage expressly names Zipacna and Cabrakan as Vukub-Cakix’s two sons.
Chimalmat is called spouse but her motherhood is not separately stated in this passage, so she is not inserted as joint parent. Source-specific spellings retained; no modern Indigenous people’s ancestry or universally harmonized genealogy is claimed.
Attributed narrativeThe narrator’s explicit sister identification on p. 202.
Read with: Waida Dikit, host of the world’s musicians
Method, limits & sources
Parallel branches show stated siblings under a grouping heading, not an ancestor.
No parents or birth generations are supplied here. Grandfather and grandson forms of address elsewhere are not used to invent a wider pedigree. This is Curtin’s English narrative witness, not a universal account of Wintu relationships.
Attributed narrativeExplicit brotherhood and age order on pp. 191 and 194.
Read with: Waida Werris and Waiti
Method, limits & sources
Parallel branches show stated siblings under a grouping heading, not an ancestor.
No parents or birth generations are supplied here. Grandfather and grandson forms of address elsewhere are not used to invent a wider pedigree. This is Curtin’s English narrative witness, not a universal account of Wintu relationships.
Attributed narrativeSelected continuous rescue/helper sequence, English pp. 179–185; not a complete reconstruction of the whole tale’s cast.
Read with: White-Snake Family of Mohammed the Languid
Method, limits & sources
Two separate helpers’ explicit brother identifications, without inferred parents or birth order.
Page 179 describes the first snake returning with three others, while p. 185 says three of us. This rendering includes only the first snake and two specifically identified brothers, not a resolved family total. Human appearances are narrative presentations, not proof of a biological human–snake lineage. The flying Marid is excluded from kinship.
Attributed narrativeComplete English adaptation, pp. 42–55; sisters and daughters described on pp. 46–49.
Read with: The Woodpecker Fairy · The Scorpion Witch
Method, limits & sources
Horse’s explicit sibling identification and narrator-stated daughters.
Parents are unnamed and no parent is linked to an unrelated tale. The daughters’ father is unstated, and the prince declines the proposed marriage. No natural bird/scorpion evolutionary relationship is implied. Romanian originals have not been collated.
Attributed narrativeNamed textual witness, Portuguese rendering pp. 125–127, with Rio Branco heading on p. 119.
Read with: Yakamin father and the star-marked children
Method, limits & sources
Only expressly stated parentage and the daughter/son relationship are represented.
All relatives are unnamed in this graph. Bird transformation belongs to the narrative, not natural classification. Pinon is excluded because the interlinear and Portuguese ending use conflicting gendered pronouns. The complete Nheengatu wording has not been independently translated.
Attributed narrativeSelected named notices in Tremearne’s 1914 historical Bori account, pp. 296–297.
Read with: Mallam Alhaji · Yerima
Method, limits & sources
The Alhaji entry explicitly calls him Yerima’s father.
The later Yerima notice names Dundurusu instead. These conflicting witnesses are displayed separately; no mother or shared ancestor is invented. This is source-specific religious genealogy, not biological descent or universal contemporary doctrine.
Attributed narrativeSelected named notices in Tremearne’s 1914 historical Bori account, pp. 303–304.
Read with: Dundurusu and Makeri · Yerima
Method, limits & sources
The prince’s own entry explicitly names Dundurusu as father.
The earlier Alhaji notice differs. The grouped target profile retains disputed Makeri identification; this branch names only Dundurusu, and does not assert two fathers or settle alias identity. This is source-specific religious genealogy, not biological descent or universal contemporary doctrine.
Attributed narrativeGuest’s Kilhwch and Olwen translation only.
Read with: Ysbaddaden
Method, limits & sources
Explicit family relationships in the named translated tale.
The grouping represents a stated brother relationship, not an invented parent. Dyfnedig is named as Custennin’s father, but the text here does not explicitly assign him as Yspaddaden’s father. Custennin’s wife reports twenty-three killed sons; their individual names are not supplied.