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Overview
Chonguita is the monkey bride in Pilar Ejercito’s Tagalog story, heard from her aunt and published by Fansler in 1921. An old man directs Don Juan to a palace guarded by monkeys and gives him bread to distribute among them. Inside, Chonguita’s mother announces that her daughter will marry him, and a monkey archbishop performs the ceremony. Juan takes his wife home reluctantly and is ashamed beside his brothers’ human brides.
His father seeks an excuse to have Chonguita killed. He orders each daughter-in-law to embroider a coat within three days, then a cap within two. Chonguita’s coat is the finest, and all the caps arrive on time. In a final contest, the king promises his throne to the husband of the woman who paints the finest picture on his chamber walls. Chonguita wins, making Juan king.
At the celebration she insists on dancing with her husband. He angrily throws her against a wall; the hall darkens, then brightens to reveal her as a beautiful woman. The story ends there. It does not supply an original curse, a removable monkey skin or an explanation of why this violent act changes her form. Those details should not be imported from the other animal-bride stories in Fansler’s comparative notes.
Origins & earliest records
Philippines; Pilar Ejercito of Pagsanjan, Laguna; heard from her aunt, who knew it from childhood
Records & interpretation
Complete tale and shared comparative notes read in the retained 1921-edition transcription.
Selected bibliography
Documented works and useful reading. This is not a list of every appearance.
- 01
Filipino Popular Tales
Tale 29, Chonguita, pp. 244–246; notes 246–248; American Folk-Lore Society
Family, evolution & connections
Chonguita’s mother — Pilar Ejercito’s account
Complete no.29 narrative and separate comparative notes, pp.244–248.
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- Unnamed monkey mother
Explicit daughter and mother designations in the main narrative. No father, siblings or children of Chonguita are stated. Don Juan’s king father is her father-in-law, not birth father. Monkey guards are not inferred siblings. Indian, Greek and Visayan parallels in the notes remain separate versions.
Her unnamed monkey mother
The large monkey calls Chonguita her daughter, and the narrator later identifies her as Chonguita’s mother. No father or siblings of Chonguita are supplied.
Don Juan
Chonguita and Don Juan are married in the monkey palace and remain spouses when she becomes a woman. His earlier shame and later violence do not create a different wife.
Don Juan’s father, the unnamed king
Don Juan is one of the king’s three sons. The king consequently calls Chonguita his daughter-in-law; that affinal relationship does not make him her birth father.
The same woman before and after her monkey form
The ending transforms Chonguita into a woman. It does not introduce another daughter or state biological ancestry for real monkeys.
Mouse Princess of Fillmore’s Forest Bride
Both selected accounts give an animal-presenting bride a human husband and tasks demanded by his father. Fillmore rewards Veikko’s kindness; Chonguita’s ending follows Don Juan’s violent act. This is a parallel with contrasting moral framing, not evidence that one telling borrowed from the other.
Primary records and illustrations
Dean S. Fansler, Filipino Popular Tales (American Folk-Lore Society, 1921)
Part I, Hero Tales and Drolls. Tale 29, Chonguita, pp. 244–246; notes 246–248
Cache fansler-29.txt and master fansler1921.html. Source chain: Pilar Ejercito of Pagsanjan, Laguna; heard from her aunt, who knew it from childhood. Comparative romance summaries not silently imported into the main narrative.
References
Sources supporting this profile. Linked pages have their own scope and editorial standards.
- Historical collected folktaleFansler, tale 29, ChonguitaResearch access: 2026-10-05
Image credits
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