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Overview

In the Bakhtiari tale, Fatima is manipulated by a tattooer into causing her mother’s death. The mother later appears in dreams and directs her first to a yellow calf that supplies food, then to the div Alla Zingi. Fatima also speaks commands that temporarily prevent the calf’s killing and cooking, until her father forces her to reverse them. Her kindly responses to the div win a moon on her chin, a sun on her forehead and jeweled slippers. After a prince finds a lost slipper and marries her, her face lights their room without a lamp.

Her half-sister Four Stumps later binds her by the hair to a willow tree, takes her clothes and impersonates her. A tiger eats Fatima, but one fallen drop of blood grows into a reed. A shepherd makes it into a whistle whose voice tells the murder; the prince takes it home, where it gives flowers to him and their son but pricks the impostor with a needle.

Fatima eventually emerges from the whistle inside a grain jar, filling the room with light. Given clothes, she returns openly to her husband and child and relates her whole story. The reed and whistle are successive forms carrying her identity, not separate counted beings. This Bakhtiari telling is distinguished from Little Fatima in the Kermani section: here the mother remains a dream guide and the calf is obtained from relatives, rather than explicitly being the transformed mother.

Woman with celestial facial lights who returns after death through a reedSpecific Bakhtiari narrative witness
01

Origins & earliest records

Bakhtiari storytelling, Iran

02

Records & interpretation

Complete XXXIX with all printed footnotes read in original-edition OCR.

Selected bibliography

Documented works and useful reading. This is not a list of every appearance.

  1. 01

    Persian Tales

    Bakhtiari tales; XXXIX, How Fatima Killed Her Mother and What Came of It, pp. 256–268

Family, evolution & connections

Fatima’s paternal family — Lorimer’s Bakhtiari tale XXXIX

Named daughters sharing one unnamed father, with Fatima’s unnamed son; this Bakhtiari telling only.

Explicit parentage and birth statements on pp. 256–258 and 264, within the complete pp. 256–268 tale. Fatima’s mother and the tattooer are different mothers. Both later daughters link to their collective profile; no extra individual profiles are invented. The text later calls them stepsisters despite its shared-father account. Fatima’s reed and whistle retain her identity. Alla Zingi’s affectionate child address is not biological parentage.

Documented · canonical kinship

Fatima’s unnamed father in Lorimer’s Bakhtiari tale

Fatima’s father remarries the tattooer and later consents to Fatima’s marriage. He is also father of the tattooer’s two daughters in this particular telling.

Documented · canonical kinship

Fatima’s unnamed mother in Lorimer’s Bakhtiari tale

Fatima causes her mother’s death, then receives her guidance in dreams. The yellow calf is obtained from an uncle; the text does not identify it as her transformed mother.

Documented · canonical kinship

Unnamed son of Fatima and the prince

Fatima bears the prince a son before her murder and reed transformation. The restored Fatima recognises and embraces that same child; the reed is not a new daughter or ancestor.

Primary records and illustrations

Direct primary record

D. L. R. Lorimer and E. O. Lorimer, Persian Tales (London: Macmillan, 1919)

Bakhtiari tales. XXXIX, pp. 256–268

Whole tale and all footnotes read in two bounded portions. Mother and calf not equated; name glosses not made into extra anatomy; reed/whistle retain Fatima identity. Colonial generalizations in notes not adopted.

Inspect the digitized plate · Source collection manifest

References

Sources supporting this profile. Linked pages have their own scope and editorial standards.

  1. Historical translated folktaleLorimer, Persian Tales (1919), Bakhtiari tales; XXXIX, How Fatima Killed Her Mother and What Came of It, pp. 256–268Research access: 2026-10-05

Image credits

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