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Overview

The princess receives three blue stones as a childhood keepsake before a great bird carries her away. Later she bears three sons, each secretly removed by the prince’s mother while the girl is falsely accused of eating them. During her punishment she asks the prince to retrieve the stones from the drawer of her old garden table. Printed page 119 explicitly identifies those objects as the three boys she bore.

Placed before their mother, the stones knock against one another and speak, confirming each account of the infants’ removal. Their testimony prompts the prince to investigate and vindicate her. The printed chronology leaves the relationship between the earlier keepsake and later births unexplained; no intermediate transformation is narrated. The ending reports recovery and marriage of the princess, but never states that the stones become human children again.

Three small blue stonesClinking movementSpoken confirmationExplicit identification with three sons
01

Origins & earliest records

Consiglieri Pedroso, Portuguese Folk-Tales, translated from the original manuscript by Henriqueta Monteiro, London: Elliot Stock for the Folk-Lore Society, 1882; tale XXIX, pp. 116–121. The selected account does not identify an individual narrator or collecting locality.

02

Records & interpretation

The located 1882 English translation presents this figure within a complete collected narrative. Pedroso’s introductory pp. 1–2 describe the thirty published selections from his larger collection.

Selected bibliography

Documented works and useful reading. This is not a list of every appearance.

  1. 01

    Portuguese Folk-Tales XXIX: The Three Little Blue Stones, pp. 116–121

    Printed119 names stones as sons;120 supplies movement and speech;121 ends with parents’ reunion/marriage, without a child-restoration scene. Exact119 scan inspected.

Family, evolution & connections

The princess and her three blue-stone sons — Pedroso XXIX

Complete selected English translation, XXIX, pp. 116–121.

Explicit mother and three separately narrated male births; grandparents follow the opening royal household. The earlier keepsakes are later identified as the boys, but no transformation mechanism or coherent chronology is supplied. No human restoration is narrated. Fatherhood is not assigned merely from the prince’s partnership. The maternal queen is distinct from the prince’s hostile mother.

References

Sources supporting this profile. Linked pages have their own scope and editorial standards.

  1. Primary textPortuguese Folk-Tales, original 1882 edition scan and transcriptionResearch access: 2026-10-05

Image credits

A sourced illustration has not yet been added. This gap is included in the coverage record.

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