A sourced illustration has not yet been added. This gap is included in the coverage record.

Overview

In Rodrigues’s Munduruku-attributed beginning-of-the-world account, Cáru and his son Rairu emerge from darkness. Rairu stumbles over a hollow, potlike stone and scolds it; his father orders him to carry it. The stone grows on Rairu’s head until its weight prevents him moving, then expands into the sky. The sun appears afterward. Rairu kneels before his father as the maker of the sky, though the narration subsequently says the father resents his son’s greater knowledge.

Cáru’s attempts to kill Rairu involve an arrow sent into a thorny tucumã palm, trees felled onto him and a burning clearing. When each fails, Cáru makes an armadillo figure from dry leaves, buries it with its tail exposed and coats the tail with resin. The moving figure draws the trapped Rairu underground. His return brings news of people living below; this report interrupts another beating and changes the father’s purpose from killing his son to bringing those people out.

A small object is thrown onto the ground and becomes a cotton plant that immediately flowers and supplies cotton. Cáru makes a cord and lowers Rairu into the opening. People climb out until the cord breaks, leaving some below. Cáru then orders coloured substances prepared to mark the emerging people and their wives. The account associates these markings with the formation of distinct peoples; the interlinear and prose lists do not match exactly and are not a biological taxonomy.

Those who fall asleep during the long painting process are assigned forms including birds, bats, pigs and butterflies, while others are promised descendants of a future era. Cáru finally disappears into the earth at an opening named Caru-Cupy. Rodrigues’s note compares the name with unrelated languages and proposes ancient Asian migration; those conjectures are not required by the story or accepted as established history.

Growing stone becomes the skyRepeated failed attacks on RairuLeaf-made armadillo draws son undergroundCotton cord and emergence of peoples
01

Origins & earliest records

Rodrigues1890, XII Do mundo o principio, labelled a Munduruku legend from Rio Tapajós,245–251. His245 note says he collected this account on the Tapajós in1872 and published it in his Rio Tapajós report in1875; those earlier printings are not independently read here.

02

Records & interpretation

Complete245–251 visually read, including interlinear Portuguese glosses, complete separate Portuguese250–251 rendering and245 provenance/comparative note. The interlinear and prose versions differ in colour and peoples lists; no single harmonized list is asserted.

Selected bibliography

Documented works and useful reading. This is not a list of every appearance.

  1. 01

    Poranduba amazonense, ou Kochiyma-uara porandub

    Complete XII Do mundo o principio,245–251, Munduruku/Rio Tapajós;245 gives Rodrigues’s1872 collection and1875 prior-publication claim. The1890 edition is the direct witness used.

Family, evolution & connections

Caru and Rairu — Rodrigues XII

Munduruku-labelled Rio Tapajós account, printed pp. 245–251; Portuguese interlinear and continuous rendering.

Explicit father–son statements, particularly the opening of the continuous Portuguese rendering on p. 250. No mother, siblings or descendants are supplied. This is a textual relationship, not natural evolutionary ancestry. The adjacent Yurukaré Tiri/Karu account and the collector’s comparative naming conjectures are excluded. Original-language text was not independently translated.

References

Sources supporting this profile. Linked pages have their own scope and editorial standards.

  1. Primary textUFPE: Barbosa Rodrigues1890 original scanResearch access: 2026-10-05

Image credits

A sourced illustration has not yet been added. This gap is included in the coverage record.

FT·2740 · RESEARCH EDITION 01Back to top ↑