A sourced illustration has not yet been added. This gap is included in the coverage record.

Overview

The suspended pavilion contains a black horse with silver-mounted equipment, a white horse with golden harness, and an Arab horse whose saddle, stirrups and bridle carry precious stones. They are discovered separately from the dead dragon, alongside other captive women and treasures. The youngest prince remains trapped above after his brothers cut the climbing thong.

The horses supply his route to the weddings below. The black and white steeds carry him to confront the elder brothers and back to the pavilion; the Arab carries him to the final confrontation, where he stays to disclose his identity. The narrative gives aerial transport without turning the horses into the dragon’s bodies or calling them enchanted human princes.

Black, white and Arab steedsDistinct silver, gold and jeweled harnessTransport from suspended pavilion
01

Origins & earliest records

Woislav M. Petrovitch, Hero Tales and Legends of the Serbians, Chapter XIV.II, pp. 222–224. The inspected English volume lists first publication August 1914 and reprints through December 1921. Local source chains and alternative narratives remain attributed.

02

Records & interpretation

Relevant complete primary section and connected encounter read, with printed locators retained. Descriptive titles used for unnamed subjects. Comparison with classical mythology and claims about whole populations remain the author’s dated interpretations.

In the literature

“he flew down and alighted”
Woislav M. Petrovitch · Hero Tales and Legends of the Serbians
Chapter XIV II, p.223; black horse descent · Woislav M. Petrovitch

The abandoned prince descends for successive weddings on the black, white and Arab horses. The first carries him down and back to the pavilion; the white repeats that feat; the Arab brings him to expose the shepherd impostor. The prince strikes his elder brothers without their deaths being explicitly narrated, while the shepherd is killed.

Selected bibliography

Documented works and useful reading. This is not a list of every appearance.

  1. 01

    Hero Tales and Legends of the Serbians, Chapter XIV.II, pp. 222–224

    Woislav M. Petrovitch; selected Pavilion tale contribution attributed to Prince Michel Obrenovitch III through Karadžić · First publication 1914; inspected witness lists December 1921 reprint

    Specific narrator/contributor attribution belongs to Pavilion footnote, not automatically every story in the book.

  2. 02

    Hero Tales and Legends of the Serbians

    Woislav M. Petrovitch, English prose presenter/translator · 1921

    Woislav M. Petrovitch, Hero Tales and Legends of the Serbians, London: George G. Harrap; selected December1921 reprint, first August1914 publication explicitly printed. Complete selected Pavilion, Prince Marko and the Veela, and Death of Prince Marko episodes, plus full Veele and Horse Sharatz introductory accounts independently read. Selected original English prose, no modern translation.

Family & connections

A source-supported family tree or inspiration record has not yet been compiled for this profile. Related reading below indicates a connection in subject matter, not a proven lineage or creative influence.

Located primary passages

Specific passages supporting details in this entry, grouped by their published witness.

Hero Tales and Legends of the Serbians

Woislav M. Petrovitch, Hero Tales and Legends of the Serbians, London: George G. Harrap; selected December1921 reprint, first August1914 publication explicitly printed. Complete selected Pavilion, Prince Marko and the Veela, and Death of Prince Marko episodes, plus full Veele and Horse Sharatz introductory accounts independently read. Selected original English prose, no modern translation.

  1. The pavilion contains a black horse with silver equipment, a white one with gold equipment and an Arab steed whose saddle, stirrups and bridle bear precious stones. These descriptions concern harness and decoration; they do not establish metallic bodies or wings.

    Chapter XIV II, p.222; three distinct mounts

  2. The abandoned prince descends for successive weddings on the black, white and Arab horses. The first carries him down and back to the pavilion; the white repeats that feat; the Arab brings him to expose the shepherd impostor. The prince strikes his elder brothers without their deaths being explicitly narrated, while the shepherd is killed.

    Chapter XIV II, pp.223–224; return flights and exposure

Original Serbian witness not independently inspected; compiler comparisons and variant endings attributed. No sacred formulas excerpted.

References

Sources supporting this profile. Linked pages have their own scope and editorial standards.

  1. Primary textPetrovitch primary section: Chapter XIV.II, pp. 222–224Research access: 2026-10-05

Image credits

A sourced illustration has not yet been added. This gap is included in the coverage record.

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