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Overview

Oyaikan is the old woman of Itu who offers to kill Mbotu, a successful king of Old Town, Calabar. Mbotu’s victories have produced wealth and enslaved prisoners, but also enemies who cannot overcome him in open battle. The Itu people promise Oyaikan money and cloth if she succeeds. The tale credits her with changing into whatever she pleases; the form actually performed is a beautiful young woman. She hides a sharp knife and walks conspicuously through a crowded celebration, where admiration of her beauty quickly reaches the king. He summons her and announces that he will marry her that same day.

Surprised by the speed of her opportunity, Oyaikan prepares food with strong sleep-inducing medicine, then washes at the river. At dusk she returns to the compound carrying the dish on her head and presents it herself. The king eats it all and falls asleep. Around midnight she cuts off his head, puts it in a bag, closes and bars the door, and leaves the town unnoticed. In Itu she sets the head before her own king. The lethal act uses a concealed knife and prepared food; the bodily disguise provides access rather than an unexplained remote death spell.

Mbotu’s head wife and household break open his chamber the next morning and find the headless body. Although the stranger has disappeared, they do not connect her absence with his death. The king of Itu meanwhile brings soldiers secretly through the creeks in canoes. They attack during the mourning, when Old Town is unprepared and leaderless; the defeated inhabitants are killed or taken prisoner. The collection closes with a warning against marrying a stranger. That printed moral is part of Dayrell’s presentation, not evidence that all people of Itu or Calabar share it today.

TransformationDisguiseMedicine
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Origins & earliest records

Published in Dayrell’s Folk Stories from Southern Nigeria (1910), in his historical colonial collection with an introduction by Andrew Lang. This selected chapter supplies no individual narrator name or dated oral performance. The located narrative is distinguished from Lang’s comparative introduction.

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Records & interpretation

Complete tale VI, Of the Pretty Stranger who Killed the King, pp. 33–35; transformation, public celebration, household discovery and ensuing attack read through the final moral.

In the literature

“The witch then turned herself into a young and pretty girl”
Elphinstone Dayrell, collector · Folk Stories from Southern Nigeria, West Africa
VI: Of the Pretty Stranger who Killed the King; paragraph beginning “Mbotu was a very famous king of Old Town, Calabar. He was frequently at war, and was alway…”

An Itu witch takes a beautiful woman’s form to infiltrateKing Mbotu’s household as bride.

Selected bibliography

Documented works and useful reading. This is not a list of every appearance.

  1. 01

    Folk Stories from Southern Nigeria, West Africa

    Complete tale VI, Of the Pretty Stranger who Killed the King, pp. 33–35; transformation, public celebration, household discovery and ensuing attack read through the final moral.

Family & connections

A source-supported family tree or inspiration record has not yet been compiled for this profile. Related reading below indicates a connection in subject matter, not a proven lineage or creative influence.

Located primary passages

Specific passages supporting details in this entry, grouped by their published witness.

Folk Stories from Southern Nigeria, West Africa

London: Longmans, Green and Co.,1910. Project Gutenberg34655 produced from Internet Archive/American Libraries images; title-page edition checked.

  1. An Itu witch takes a beautiful woman’s form to infiltrateKing Mbotu’s household as bride.

    VI: Of the Pretty Stranger who Killed the King; paragraph beginning “Mbotu was a very famous king of Old Town, Calabar. He was frequently at war, and was alway…”

  2. Oyaikan drugs Mbotu, beheads him asleep and carries the head to Itu; Itu then attacks his leaderless mourners.

    VI: Of the Pretty Stranger who Killed the King; paragraph beginning “They retired to the king's chamber, and the king went to sleep at once. About midnight, wh…”

Selected historical collected English tale, not individually credited original-language transcript or universal belief. Colonial commentary and depicted punishments are historical text, not endorsements. Narrative bodies distinguished from Lang introduction.

References

Sources supporting this profile. Linked pages have their own scope and editorial standards.

  1. Historical collected taleOf the Pretty Stranger who Killed the KingResearch access: 2026-10-05

Image credits

A sourced illustration has not yet been added. This gap is included in the coverage record.

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