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Overview

Mchaawee offers to educate a sultan’s three sons, who have defeated previous attempts to teach them. He rejects half the ruler’s property and half his towns, demanding instead one educated boy as his companion. After quickly teaching all three to read and write, he returns them for the sultan to choose two. He takes the remaining son, Keejaanaa, to his large house, gives him all the keys and declares himself the boy’s father.

The young captive first discovers a room of liquid gold. Some adheres to his finger and cannot be rubbed away, so he hides the evidence under a rag and tells Mchaawee he has cut himself. During another absence he opens rooms containing the bones of goats, sheep, oxen, donkeys and horses, followed by human skulls. A living horse in the seventh room explains that the householder eats people and animals and that only they remain alive. This exposure contradicts the supposed father’s promise of companionship.

Guided by Faaraasee, Keejaanaa makes the magician perform the preparations for his own intended cooking. Mchaawee gathers fuel, lights the fire and heats a great pot of butter. He presents a swing above it as a game. The boy asks for a demonstration and pushes him into the boiling pot, killing him, then runs to the waiting horse.

The invited guests cannot find their host and eat the pot’s contents without recognizing him. They remain for a couple of days while consuming the household supplies, then abandon their search and go home. Meanwhile the rescued boy and horse reach a distant town, where their recovered gold establishes a prosperous household and Keejaanaa later marries the local ruler’s daughter. The magician’s death is therefore completed before the guests’ mistaken feast and the protagonists’ separate new life.

Magical teachingCannibal appetiteDeceptive adoption
01

Origins & earliest records

Bateman presents these accounts as tales told to him in Zanzibar and translated from Swahili; individual narrators are not named in this edition.

02

Records & interpretation

IX, The Magician and the Sultan’s Son, complete pp. 183–194: educational bargain pp. 183–184; liquid gold and seven rooms pp. 187–188; reversed trap pp. 189–191; guests and new household pp. 192–194.

Selected bibliography

Documented works and useful reading. This is not a list of every appearance.

  1. 01

    Zanzibar Tales

    IX, The Magician and the Sultan’s Son, complete pp. 183–194: educational bargain pp. 183–184; liquid gold and seven rooms pp. 187–188; reversed trap pp. 189–191; guests and new household pp. 192–194.

  2. 02

    Zanzibar Tales: Told by Natives of the East Coast of Africa

    Chicago: A. C. McClurg & Co., 1901; George W. Bateman, translated from the original Swahili. Preface dated 1 August 1901; narrators are not individually named.

Family & connections

A source-supported family tree or inspiration record has not yet been compiled for this profile. Related reading below indicates a connection in subject matter, not a proven lineage or creative influence.

Located primary passages

Specific passages supporting details in this entry, grouped by their published witness.

Zanzibar Tales

Chicago: A. C. McClurg & Co., 1901; George W. Bateman, translated from the original Swahili. Preface dated 1 August 1901; narrators are not individually named.

  1. The magician teaches three princes in exchange for one as a companion; hidden rooms of bones reveal his appetite for people and animals to the remaining prince.

    IX, The Magician and the Sultan’s Son; pp. 183–188, bargain and concealed larder

  2. Following the horse’s advice, the prince feigns ignorance until the magician demonstrates the swing; he pushes the magician into boiling butter, and the invited guests unknowingly consume their host.

    IX, The Magician and the Sultan’s Son; pp. 189–192, reversed killing scheme

Entire chapter read. The author’s colonial framing and unnamed contributors limit provenance; no earliest-origin or exclusive regional claim inferred. Bateman’s lifespan remains unverified.

References

Sources supporting this profile. Linked pages have their own scope and editorial standards.

  1. Historical oral-tale translationThe Magician and the Sultan’s SonResearch access: 2026-10-05

Image credits

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