Silver-and-gold filigree ritual vase with a projecting horse head beneath a tall teardrop-shaped finial, inset with turquoise and coral; the complete vessel and pedestal are visible.
Historical ritual-object photograph

Silver-and-gold filigree ritual vase with a projecting horse head beneath a tall teardrop-shaped finial, inset with turquoise and coral; the complete vessel and pedestal are visible.

Unidentified Newar artist (attributed), Vase of Immortality with the Head of a Wind-Horse and the Precious Jewel, 18th–early19th century, Tibet. Los Angeles County Museum of Art, M.2011.157.3a-c, Gift of Julian Sands. Photo © Museum Associates/LACMA; www.lacma.org. · LACMA public-domain image, made available for use without restriction under Terms1(a) · Image source

Tibet, 18th–early19th century, attributed to Newar craftsmanship. A wind-horse head emerges from this longevity-ritual vase beneath a precious-jewel finial. This is a specific ritual depiction of the head, rather than an illustration of a complete galloping windhorse.

Overview

Lungta is the windhorse associated with prayer flags; it is also a ritual concept, rather than simply the name of a fantastic equine species. Lotsawa House indexes both rlung rta and klung rta as spellings. Himalayan Art Resources places windhorse flags within Buddhist and Bon traditions and describes flags as images and texts on paper or cloth exposed to the wind.

A directly read example is Mipham’s Brief Windhorse Invocation, dated in its colophon to the tenth day of the ninth month of the Water Hare year, 1903. It treats the windhorse flag as an auspicious offering and asks spiritual protectors to fulfil aspirations. The inspected edition gives Tibetan text, transliteration and Rigpa Translations’ 2013 English rendering, with a 2007 collected-works locator, volume 31, page 41.

This record concerns an openly published liturgical witness and its visual setting. Its aspiration for spiritual benefit is attributed to the prayer, not presented as an empirically demonstrated effect or as a claim that an animal literally carries every flag through the air.

Auspicious horse image and ritual conceptReligious and symbolic context
01

Origins & earliest records

Tibetan and Himalayan prayer-flag traditions

02

Records & interpretation

Located object descriptions or openly published textual witness directly read; no independent image inspection asserted.

Selected bibliography

Documented works and useful reading. This is not a list of every appearance.

  1. 01

    Mipham, Brief Windhorse Invocation; Rigpa Translations2013

    Exact source record; object and publication dates retained in description.

  2. 02

    Lotsawa House, Lungta Series

    Exact source record; object and publication dates retained in description.

  3. 03

    Jeff Watt, Prayer Flags, updated2020

    Exact source record; object and publication dates retained in description.

Family & connections

A source-supported family tree or inspiration record has not yet been compiled for this profile. Related reading below indicates a connection in subject matter, not a proven lineage or creative influence.

Primary records and illustrations

Direct primary record

Mipham, Brief Windhorse Invocation; Rigpa Translations2013

Tibetan and Himalayan prayer-flag traditions. Mipham collected works, Chengdu2007,vol31,p41; Rigpa2013,version1.2-20220120

Actual text/catalogue description read. Object descriptions do not claim direct visual or reuse-rights verification. Modern editorial interpretation separated from primary composition.

Inspect the digitized plate · Source collection manifest

References

Sources supporting this profile. Linked pages have their own scope and editorial standards.

  1. Published religious text or textual catalogueMipham, Brief Windhorse Invocation; Rigpa Translations2013Research access: 2026-10-05
  2. Published religious text or textual catalogueLotsawa House, Lungta SeriesResearch access: 2026-10-05
  3. Custodial/art-historical descriptionJeff Watt, Prayer Flags, updated2020Research access: 2026-10-05

Image credits

Historical ritual-object photograph

Silver-and-gold filigree ritual vase with a projecting horse head beneath a tall teardrop-shaped finial, inset with turquoise and coral; the complete vessel and pedestal are visible.

Unidentified Newar artist (attributed), Vase of Immortality with the Head of a Wind-Horse and the Precious Jewel, 18th–early19th century, Tibet. Los Angeles County Museum of Art, M.2011.157.3a-c, Gift of Julian Sands. Photo © Museum Associates/LACMA; www.lacma.org. · LACMA public-domain image, made available for use without restriction under Terms1(a) · Image source

Tibet, 18th–early19th century, attributed to Newar craftsmanship. A wind-horse head emerges from this longevity-ritual vase beneath a precious-jewel finial. This is a specific ritual depiction of the head, rather than an illustration of a complete galloping windhorse.

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