Batten: Anshgayliacht’s enormous hand reaches toward the infant
Historical illustration

Batten: Anshgayliacht’s enormous hand reaches toward the infant

John Dickson Batten (1860–1932), More Celtic Fairy Tales1895; Joseph Jacobs compiler/editor · Public domain · Image source

Only the antagonist’s reaching hand is shown in this first encounter, opposed by Niall in wolf form; later dialogue identifies the one-handed captor as Anshgayliacht. No full-body or forehead-eye appearance asserted from this plate. Batten1860–1932 credited illustrator, selected title-page edition1895; Jacobs compiler/editor.

Overview

An immense hand descends through a chimney toward the newborn guarded by Niall in wolf form. Niall bites above the wrist and cuts it off, leaving the hand beside the saved child before a separate deception hides them. On a later voyage in human form he enters a gloomy island castle and hears an injured person groaning. The tall hag there explains that her son lost his hand to a dog; this connects the patient with the earlier reaching attacker.

Niall offers treatment in exchange for eight young men and three young women held in the castle. The wounded adversary has only one eye in his forehead. Under cover of the promised treatment Niall attacks that eye with heated iron and departs with the captives, who prove to be the king’s eleven stolen older children. The concluding explanation identifies the account as the fate of the Slender Red Champion’s brother. The story calls it news of Anshgayliacht’s death, although the interior scene describes the attack and escape rather than an explicit final death sentence. Both levels of the narration are preserved.

Single eye in the foreheadHuge hand reaching through a chimneyEleven captive royal siblings
01

Origins & earliest records

The selected 1895 Jacobs adaptation credits Larminie’s West Irish Folk-tales, with different tellers for frame and inner story. The title-demand and concluding identification connect the unnamed one-eyed captive-holder to the requested death account. This is not an independent historical record of abductions.

02

Records & interpretation

The single eye, severed hand and hostage children are specific textual evidence. Similarity to Cyclops stories does not make this individual Polyphemus or the corpse-fishing giant in Kayn’s tale. The framing death label is distinguished from the precise narrated outcome.

Selected bibliography

Documented works and useful reading. This is not a list of every appearance.

  1. 01

    More Celtic Fairy Tales: Morraha, pp. 89–96; note XXXIV

    Complete Morraha frame, inner narrative and relevant note inspected. Earlier Larminie text is an attributed source, not falsely claimed as independently collated.

Family & connections

A source-supported family tree or inspiration record has not yet been compiled for this profile. Related reading below indicates a connection in subject matter, not a proven lineage or creative influence.

References

Sources supporting this profile. Linked pages have their own scope and editorial standards.

  1. Primary textMore Celtic Fairy Tales, selected 1895 edition: Morraha, pp. 89–96; note XXXIVResearch access: 2026-10-05

Image credits

Historical illustration

Batten: Anshgayliacht’s enormous hand reaches toward the infant

John Dickson Batten (1860–1932), More Celtic Fairy Tales1895; Joseph Jacobs compiler/editor · Public domain · Image source

Only the antagonist’s reaching hand is shown in this first encounter, opposed by Niall in wolf form; later dialogue identifies the one-handed captor as Anshgayliacht. No full-body or forehead-eye appearance asserted from this plate. Batten1860–1932 credited illustrator, selected title-page edition1895; Jacobs compiler/editor.

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