
Weathered relief with a seated Buddha at upper left and armed humanlike figures gathered below and at right in an architectural setting.
The photographer captions this relief as Āḷavaka’s conversion. Individual figures are not further assigned here.
Overview
At Āḷavī, Āḷavaka orders the Buddha repeatedly to leave and re-enter his haunt. The Buddha initially complies but refuses the fourth command. The yakkha then threatens bodily and mental violence if his questions are unanswered.
His questions concern wealth, happiness, suffering, wisdom, friendship and the next life. The answers emphasise conviction, truth, effort, discernment and giving. Āḷavaka ends by recognising the benefit of the visit and promising to travel among settlements honouring the Buddha and his teaching. The selected discourse gives this transformation in conduct without a detailed monster anatomy.
Origins & earliest records
South Asian Buddhist discourse tradition
Records & interpretation
Identified primary discourse translation directly read.
Selected bibliography
Documented works and useful reading. This is not a list of every appearance.
- 01
Saṃyutta Nikāya 10.12; also Sutta Nipāta 1.10
Modern translated primary discourse; narrative scope retained.
Family & connections
A source-supported family tree or inspiration record has not yet been compiled for this profile. Related reading below indicates a connection in subject matter, not a proven lineage or creative influence.
Primary records and illustrations
Saṃyutta Nikāya 10.12; also Sutta Nipāta 1.10
Pali discourse collection. Saṃyutta Nikāya 10.12; also Sutta Nipāta 1.10
Actual translated primary discourse directly read; narrative description remains limited to its stated encounter.
References
Sources supporting this profile. Linked pages have their own scope and editorial standards.
- Primary discourse translationSaṃyutta Nikāya 10.12; also Sutta Nipāta 1.10Research access: 2026-10-05
Image credits
Photograph of historical narrative reliefWeathered relief with a seated Buddha at upper left and armed humanlike figures gathered below and at right in an architectural setting.
The photographer captions this relief as Āḷavaka’s conversion. Individual figures are not further assigned here.