A sourced illustration has not yet been added. This gap is included in the coverage record.

Overview

Tomah Josephs’s lost-gun narrative begins with a canoe accident on the St John’s River. A practitioner sends the woman who lost the equipment to a ledge above a dangerous eddy. A monstrous horned head emerges carrying the gun across its antlers. She cannot bring herself to take it; the being sinks, and the gun is lost permanently. The story’s rebuke of the woman belongs to the historical telling, not a rule endorsed by this profile.

Noel Joseph’s Dance of Old Age, recorded at Campobello on 26 August 1883, concerns a hunter harmed by a rejected suitor’s magic. His brother summons the Weewillmekq’, withstands its frightening appearance and receives scrapings from a horn. One portion restores the hunter; the other causes the woman to age rapidly while dancing until she dies. A separate version makes the substance wither a tree before it is used against her. The cure and destructive aging are narrative powers, not medical claims.

The notes preserve unresolved differences rather than one standardized anatomy. Josephs describes a small creature in wood and a horned aquatic form as large as a horse; his reported sighting associated it with a lightning-struck tree. Mrs. W. Wallace Brown calls it a snail. Leland compares it with the Mi’kmaq Chepitchcalm, but that comparison does not establish that every named being is interchangeable.

Gigantic aquatic form with forked hornsSmall woodland form in contributor notesHorn substance restores or rapidly ages in different uses
01

Origins & earliest records

Leland publishes the gun episode as Josephs’s telling and dates Noel Joseph’s dance narrative to 26 August 1883. Brown separately supplies the printed song and a natural-creature identification. The 1884 publication is a located historical witness, not an origin date.

02

Records & interpretation

Complete gun and both dance episodes were read; named narrator, supplied song and collector commentary remain distinct. No sacred or ceremonial text is reproduced. Spellings follow the inspected edition rather than asserting a current standardized orthography.

In the literature

“a kind of monstrous head, with great forked horns and terrible eyes.”
Charles Godfrey Leland · The Algonquin Legends of New England
I. How a Woman Lost a Gun for Fear of the Weewillmekq’; complete account/all notes · Leland English collected retelling; specific credits retained

A canoe accident loses hunting gear. A magician arranges gun recovery, and a head rises from an eddy bearing the weapon on forked horns. The woman is too frightened to reach; it disappears with the gun. Notes describe a small tree worm, horse-sized water form and reported lightning attraction. These differing descriptions are testimony rather than a zoological identification; the printed gendered moral is not endorsed.

“Its eyes were like fire; its horns rose.”
Charles Godfrey Leland · The Algonquin Legends of New England
II. Muggahmaht’adem, the Dance of Old Age ...; complete account/all notes · Leland English collected retelling; specific credits retained

A rejected woman curses a hunter. His elder brother receives help from the horned being and the hunter recovers. Returning home, the younger hunter gives the woman a drink and she ages during dancing until she dies. Results are retained without reproducing preparation or ritual instructions. Its fire-like eyes and risen horns belong to this episode.

“a creature like an alligator, with horns.”
Charles Godfrey Leland · The Algonquin Legends of New England
III. Another Version of the Dance of Old Age; complete account/all notes · Leland English collected retelling; specific credits retained

A hunter keeps a size-changing fairy but is driven toward Kewahqu transformation by the jealous woman at home, expressly not the fairy. A friend prevents his killing and helps him recover. An alligator-like horned creature rises from a lake; a test ages and destroys a green tree, then the woman dies through contact during dancing. The main meal is human remains; the editor’s deer alternative is conjecture. Contact ending differs from the drink version.

Selected bibliography

Documented works and useful reading. This is not a list of every appearance.

  1. 01

    The Algonquin Legends of New England

    How a Woman Lost a Gun for Fear of the Weewillmekq’; Muggahmaht’adem, the Dance of Old Age; Another Version of the Dance of Old Age; complete narratives and contributor notes.

  2. 02

    The Algonquin Legends of New England — I. How a Woman Lost a Gun for Fear of the Weewillmekq’

    Original work1884; Gutenberg6803 selected transcription, exact source print impression/pages unidentified. Full Preface and Authorities independently read.

Family & connections

A source-supported family tree or inspiration record has not yet been compiled for this profile. Related reading below indicates a connection in subject matter, not a proven lineage or creative influence.

Located primary passages

Specific passages supporting details in this entry, grouped by their published witness.

The Algonquin Legends of New England

Original work1884; Gutenberg6803 selected transcription, exact source print impression/pages unidentified. Full Preface and Authorities independently read.

  1. A canoe accident loses hunting gear. A magician arranges gun recovery, and a head rises from an eddy bearing the weapon on forked horns. The woman is too frightened to reach; it disappears with the gun. Notes describe a small tree worm, horse-sized water form and reported lightning attraction. These differing descriptions are testimony rather than a zoological identification; the printed gendered moral is not endorsed.

    I. How a Woman Lost a Gun for Fear of the Weewillmekq’; complete account/all notes

  2. A rejected woman curses a hunter. His elder brother receives help from the horned being and the hunter recovers. Returning home, the younger hunter gives the woman a drink and she ages during dancing until she dies. Results are retained without reproducing preparation or ritual instructions. Its fire-like eyes and risen horns belong to this episode.

    II. Muggahmaht’adem, the Dance of Old Age ...; complete account/all notes

  3. A hunter keeps a size-changing fairy but is driven toward Kewahqu transformation by the jealous woman at home, expressly not the fairy. A friend prevents his killing and helps him recover. An alligator-like horned creature rises from a lake; a test ages and destroys a green tree, then the woman dies through contact during dancing. The main meal is human remains; the editor’s deer alternative is conjecture. Contact ending differs from the drink version.

    III. Another Version of the Dance of Old Age; complete account/all notes

No whole collection, separately recorded oral transcript or separately cited manuscript/comparative edition inspected. Variant/narrator distinctions preserved; no earliest/diffusion/treatment proof claimed.

References

Sources supporting this profile. Linked pages have their own scope and editorial standards.

  1. ResearchLeland: complete located narratives and contributor notesResearch access: 2026-10-05
  2. ReferenceUniversity of Pennsylvania: original 1884 edition bibliographyResearch access: 2026-10-05

Image credits

A sourced illustration has not yet been added. This gap is included in the coverage record.

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