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Overview
Gill’s ironwood narrative places the tree in Angaruaau, a secluded valley at Tamarua, and calls it an embodiment of Vaotere. Oarangi wants its timber for superior weapons despite warnings. Four companions cut its great roots at night, only to find their previous cuts healed whenever they change places. Keeping to their assigned roots allows them to fell it, but the woodmen sicken; two die immediately and the others later. On returning, the survivors see the tree completely restored, with trunk, branches and leaves brightly red as if bleeding. A later expedition becomes unable to see it. These injuries and blindness belong to the narrative’s retaliatory explanation, not to a verified medical effect of ironwood.
Ono arrives with Rua-i-paku, an ironwood implement from his father Ruatea that serves successively as spade, club and axe. He exposes the branching roots over many days before cutting the final taproot. Vaotere’s head then becomes visible with rage-distorted features, open jaws and formidable teeth. Ono strikes its skull, then removes the four great roots, now identified as arms, and divides the trunk, described as the bleeding body. The account thus supplies explicit correspondences between tree and body rather than merely placing an invisible spirit nearby.
Timber from the defeated being becomes weapons, and chips scattered from the roots originate ironwood across the island. The conclusion says Vaotere can no longer injure people. Gill prints a song fragment about Ono felling the tree and a separate song of his wanderings, then offers his own interpretation relating heavy weapon-making wood to a feared spirit. Neither that explanation nor the narrated introduction by Tongans independently dates the botanical arrival. The named being’s restoration and final defeat are kept distinct from ordinary casuarina properties.
Origins & earliest records
William Wyatt Gill, Myths and Songs from the South Pacific (London: Henry S. King, 1876), preserves this particular account. The introduction names major contributors but does not provide a named narrator for this passage.
Records & interpretation
The selected chapter V: The Iron-Wood Tree, pp. 81–87, supplies the being’s actions and context. Gill’s explanatory judgments are attributed separately from the narrated or reported beliefs.
Selected bibliography
Documented works and useful reading. This is not a list of every appearance.
- 01
Myths and Songs from the South Pacific: V: The Iron-Wood Tree
pp. 81–87; complete selected prose and associated ending read.
Family & connections
A source-supported family tree or inspiration record has not yet been compiled for this profile. Related reading below indicates a connection in subject matter, not a proven lineage or creative influence.
References
Sources supporting this profile. Linked pages have their own scope and editorial standards.
- Historical collected primary witnessGill 1876: V: The Iron-Wood TreeResearch access: 2026-10-05
Image credits
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