A sourced illustration has not yet been added. This gap is included in the coverage record.

Overview

Tegrijin Naran Dâkinî sits in contemplation inside a guarded cave. Stone goats warn that a man who makes her speak twice may take her home, but five hundred unsuccessful royal suitors are imprisoned at her feet. Vikramâditja enters with companions whom he has transformed into an altar, lamp, incense vessel and string of devotional beads.

He tells two stories and has the transformed companions give intentionally wrong judgments. Naran first corrects their interpretation of a woman created from wood, then condemns a wife who killed her husband after hearing a stranger’s lovely voice. Having spoken twice, she willingly accompanies Vikramâditja as his wife; the companions and imprisoned princes regain their natural forms.

Busk’s note glosses her name as the Dâkinî sun of the gods. The text also uses Naran-Chatun, a royal female title. Its literary use of Dâkinî is not a complete account of that Buddhist sacred category. The next frame passage names a different chief wife, Tsetsen Budschiktschi, without explicitly identifying her with Naran; the names are not merged here.

Silent supernatural woman won through deliberately mistaken interpretations of storiesSpecific adapted narrative
01

Origins & earliest records

Mongolian transmission of an Indian-derived tale, mediated by European editions and Busk’s adaptation

02

Records & interpretation

Busk’s 1873 Sagas from the Far East, Vikramâditja makes the Silent speak, pp. 294–307, introduces Tegrijin Naran and her challenge on pp. 295–296. Associated editorial notes are on pp. 404–405.

Selected bibliography

Documented works and useful reading. This is not a list of every appearance.

  1. 01

    Sagas from the Far East

    Vikramâditja’s Deeds291–308, including Silent Speak294–307; notes404–405

Family & connections

A source-supported family tree or inspiration record has not yet been compiled for this profile. Related reading below indicates a connection in subject matter, not a proven lineage or creative influence.

Primary records and illustrations

Direct primary record

Rachel Harriette Busk, Sagas from the Far East (1873)

Vikramâditja’s Deeds. 291–308; notes404–405

Complete deeds narrative, both embedded stories and all attached notes read. Metaphorical kinship and moral accusation distinguished from literal taxonomy; no image verification.

Inspect the digitized plate · Source collection manifest

References

Sources supporting this profile. Linked pages have their own scope and editorial standards.

  1. Historical literary adaptationBusk, Vikramâditja’s Deeds291–308 and notesResearch access: 2026-10-05

Image credits

A sourced illustration has not yet been added. This gap is included in the coverage record.

FT·1585 · RESEARCH EDITION 01Back to top ↑