A sourced illustration has not yet been added. This gap is included in the coverage record.

Overview

Conchubar encounters Teeval asleep beside retreating waves while waiting for Culain’s weapons. She has golden hair, blue eyes, pearls and a many-coloured seaweed dress. He binds her with his girdle. She identifies herself as Princess of the Ocean and begs release; the narrative calls her a mermaid but supplies no explicit lower-body anatomy.

After he frees her, she instructs Culain to engrave her figure and name on the shield. Looking at it and calling her name will transfer the enemy’s strength to Conchubar and his men. The promised aid enables his victories and Ulster kingship, but he never sees her again. Morrison’s preface identifies this tale among those taken from earlier printed sources, unlike the accounts she personally heard.

Seaweed dress and pearlsRelease from girdle bindingImage-and-name shield protection
01

Origins & earliest records

Sophia Morrison, Manx Fairy Tales (London: David Nutt, 1911); Teeval, Princess of the Ocean, pp. 110–115.

02

Records & interpretation

Complete named selected narratives directly read; collection preface distinguishes heard accounts from borrowed printed tales.

Selected bibliography

Documented works and useful reading. This is not a list of every appearance.

  1. 01

    Manx Fairy Tales: Teeval, Princess of the Ocean, pp. 110–115

    Complete selected tale inspected in the original-edition transcription.

Family & connections

A source-supported family tree or inspiration record has not yet been compiled for this profile. Related reading below indicates a connection in subject matter, not a proven lineage or creative influence.

References

Sources supporting this profile. Linked pages have their own scope and editorial standards.

  1. Primary collected narrativeMorrison 1911: Teeval, Princess of the Ocean, pp. 110–115Research access: 2026-10-05

Image credits

A sourced illustration has not yet been added. This gap is included in the coverage record.

FT·498 · RESEARCH EDITION 01Back to top ↑