A sourced illustration has not yet been added. This gap is included in the coverage record.
Overview
The chief’s unnamed daughter is sent into a clay pit by her elder sister Chichingouane. After the others fill their baskets, they bury her alive. Her dog digs her out, but she enters the river, where Chipfalamfula receives her as its daughter. She lives among the people and fields inside the creature and makes permitted visits to the bank. Helping her youngest sister lift a water pot leads to her mother learning that she is alive.
She warns her mother that she is a fish and slippery when the mother tries to hold her, then escapes back into the water. On a later authorized return she is covered in silver coins and walks home on mats laid by the villagers. She recounts the attack and prevents her father from punishing Chichingouane with death. Her fish comparison does not receive a separately described finned body in the printed scene.
Chichingouane later orders her into a tree to cut branches while the other sisters cut its trunk. A bird takes a bright shell over which they quarrel to Makényi. When the tree falls into the river, the girl and her attendants travel onward searching for the shell. They take refuge in a tree at Makényi; the bird repeatedly repairs it as the inhabitants try to fell it. While the inhabitants work in their fields, the visitors retrieve the shell, take riches and flee.
Pursued by mounted men, she points her small stick at the river and asks for a path. The water parts for her party, then closes over the pursuers. They return in magnificent clothing and are initially unrecognized. She identifies herself to her parents. Chichingouane remains resentful, and this time their father refuses the younger girl’s plea for mercy. Chichingouane and her enslaved attendants are made to lay their necks on a long pole and are beheaded. The narrative ends with that execution after the final homecoming.
Origins & earliest records
Nkoulounkoulou is the credited contributor. Junod’s account of his narrators says she remembered the story after hearing it once, several years earlier in Mapoute. He publishes the French rendering; his biblical comparisons and proposed historical explanations are kept separate from the narration.
Records & interpretation
Junod, Les chants et les contes des Ba-Ronga de la baie de Delagoa (1897), XVI La Jeune fille et la Baleine, complete pp. 229–237; contributor account p. 72 and source-context note pp. 235–236.
In the literature
“car je suis un poisson,”
XVI La Jeune fille et la Baleine, printed p.231 · Henri-Alexandre Junod (French)
The girl explains why her mother cannot hold her.
Selected bibliography
Documented works and useful reading. This is not a list of every appearance.
- 01
Les chants et les contes des Ba-Ronga de la baie de Delagoa
Junod, Les chants et les contes des Ba-Ronga de la baie de Delagoa (1897), XVI La Jeune fille et la Baleine, complete pp. 229–237; contributor account p. 72 and source-context note pp. 235–236.
- 02
Les chants et les contes des Ba-Ronga de la baie de Delagoa — XVI La Jeune fille et la Baleine
Henri-AlexandreJunod, Les chants et les contes des Ba-Ronga de la baie de Delagoa, Lausanne:GeorgesBridel1897, Princeton scan. Complete French XVI229–237 and XVII237–242 independently read in retained OCR; original230/231/233/236/237/238 visually inspected. Narrator236 and237 notes visually checked. Other specified pages read in OCR only; no whole-corpus reading claimed.
Family & connections
A source-supported family tree or inspiration record has not yet been compiled for this profile. Related reading below indicates a connection in subject matter, not a proven lineage or creative influence.
Located primary passages
Specific passages supporting details in this entry, grouped by their published witness.
Les chants et les contes des Ba-Ronga de la baie de Delagoa
Henri-AlexandreJunod, Les chants et les contes des Ba-Ronga de la baie de Delagoa, Lausanne:GeorgesBridel1897, Princeton scan. Complete French XVI229–237 and XVII237–242 independently read in retained OCR; original230/231/233/236/237/238 visually inspected. Narrator236 and237 notes visually checked. Other specified pages read in OCR only; no whole-corpus reading claimed.
- After rescue by her dog and shelter inside Chipfalamfula, the betrayed daughter reveals herself to her younger sister and slips from her mother’s grasp. Returning home with falling silver coins, she asks mercy for elder Chichingouane. In a second betrayal, her sisters cut the tree on which she and servants work. A bird carries away her bright shell/carbuncle; after the fall they follow it to Makényi, shelter in its tree and survive the man-eaters through the bird’s repeated repairs. They recover the object and wealth, escape, and a river crossing destroys their pursuers. Their parents recognise them; despite another appeal for mercy, the father executes Chichingouane and her servants.
Her statement that she is a fish and the question-mark comparison of coins to scales are kept as source wording, not a fully specified mermaid anatomy. The bird’s protective role coexists with its taking the object. The final punishment differs from the first granted mercy. No river-opening song or formula copied.
References
Sources supporting this profile. Linked pages have their own scope and editorial standards.
- French translation of attributed oral narrative; digitized primary editionJunod — Nkoulounkoulou’s girl and river creatureResearch access: 2026-10-05
Image credits
A sourced illustration has not yet been added. This gap is included in the coverage record.