Risana represented by the bent forward participant at the right of photograph39, 1914
Historical ritual performance photograph

Risana represented by the bent forward participant at the right of photograph39, 1914

Photographic contributors A. J. N. Tremearne (1877–1915) and A. V. Liley (died1928); individual photographer not allocated in the foreword. The Ban of the Bori (1914); Wellesley College Library scan / Internet Archive · Public domain · Image source

The upper photograph39 names Risana as the rightmost seated foreground participant, bent forward. The photograph documents a human representation of the spirit; its original disease attribution is a historical claim, not a medical explanation.

Overview

Risana is one of Kuri’s wives in Tremearne’s account. Her representation moves through the ring, bites the hands, rubs the chest, scratches, sits down and tries to tear the clothing before yelling and making three jumps. The collector records irritation as an illness attributed to her, with a tentative diagnosis of his own that should not be treated as the tradition’s name for a disease.

The more distinctive account concerns her husband’s human mistresses. Risana looks about for them in order to punish them; if she catches one of their souls, she immediately becomes silent. The onlookers then wonder whose soul she has taken, since the victim may show no immediate sign. Her song repeatedly identifies her as Kuri’s wife and asks whom she has seized, linking the representation to this narrated jealousy and uncertain recognition.

Wife of KuriSearch for human rivalsSilence after soul capture
01

Origins & earliest records

A. J. N. Tremearne combines interviews and descriptions of bori performances with comparative interpretation. These selected notices do not consistently name individual speakers; printed attributes are distinguished from his conjectures.

02

Records & interpretation

Complete selected spirit notice in chapter XXII, printed pp. 325; surrounding chapter context read.

Selected bibliography

Documented works and useful reading. This is not a list of every appearance.

  1. 01

    The Ban of the Bori: Demons and Demon-Dancing in West and North Africa

    XXII. Bori—the Mohammedan Spirits, printed pp. 325; attributed narrative and ritual representation.

Family & connections

A source-supported family tree or inspiration record has not yet been compiled for this profile. Related reading below indicates a connection in subject matter, not a proven lineage or creative influence.

References

Sources supporting this profile. Linked pages have their own scope and editorial standards.

  1. Digitized historical ethnographic accountTremearne — RisanaResearch access: 2026-10-05

Image credits

Historical ritual performance photograph

Risana represented by the bent forward participant at the right of photograph39, 1914

Photographic contributors A. J. N. Tremearne (1877–1915) and A. V. Liley (died1928); individual photographer not allocated in the foreword. The Ban of the Bori (1914); Wellesley College Library scan / Internet Archive · Public domain · Image source

The upper photograph39 names Risana as the rightmost seated foreground participant, bent forward. The photograph documents a human representation of the spirit; its original disease attribution is a historical claim, not a medical explanation.

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