AI-generated Princess Fiorimonde interpretation.
First-feast costume; staging imagined.
Overview
Fiorimonde secretly learns witchcraft from a woman living on a lonely mountain. Her exceptional beauty depends on that magic, and she fears that marriage will expose their meetings and end her instruction. The witch supplies a seamless golden cord: anyone who closes their fingers around it becomes a bead. Fiorimonde entraps successive suitors and pretends to mourn their disappearances, while her maid Yolande notices the necklace growing.
The spell also catches Yolande when she handles the cord while Fiorimonde sleeps. Gervaise then disguises himself as another suitor and provokes the princess’s vanity with a supposedly superior necklace made from woodland fruits. Eager to exchange necklaces, Fiorimonde grasps her own cord and becomes its thirteenth bead. Gervaise frees the other captives, but her father accepts leaving her imprisoned as the single remaining bead, publicly displayed outside the town hall.
First appearances & development
Mary De Morgan’s title tale in The Necklace of Princess Fiorimonde, and Other Stories (1880).
Canon & continuity
Complete original tale, printed page anchors 1–42, and Walter Crane’s original illustrations.
Selected bibliography
Documented works and useful reading. This is not a list of every appearance.
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Family & connections
A source-supported family tree or inspiration record has not yet been compiled for this profile. Related reading below indicates a connection in subject matter, not a proven lineage or creative influence.
References
Sources supporting this profile. Linked pages have their own scope and editorial standards.
- Original public-domain narrativeOriginal tale and illustrationsResearch access: 2026-10-18
Image credits
AI-generatedAI-generated Princess Fiorimonde interpretation.
First-feast costume; staging imagined.