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Overview

In Giles’s translation, the impoverished student Yü Jung prays at Wu Wang’s temple and receives black clothing that changes him into a crow. Chu-ch‘ing is provided as his mate and warns him against exposing himself while feeding around boats. When a soldier shoots him, she carries him away in her beak and tries to feed him. Other crows raise waves that overturn the boats. Yü nevertheless dies of the wound and awakens in the temple, where people have been watching his apparently lifeless human body. The initial episode therefore leaves that body present rather than simply describing its permanent conversion into a bird.

After Yü twice returns with food for the crows, Chu-ch‘ing visits him among a company of women and says she has become a spirit of the Han River. He wakes in her Han-yang household, while his boat and attendants have also been transported there. When he wishes to return to his first wife, Chu-ch‘ing gives him the old black suit for future visits. On a later journey the clothing explicitly produces wings from his ribs; her servants remove his feathers when he arrives. This later witnessed journey should remain distinct from the first temple episode’s awakening. The text does not explain a general progression by which all crows become river spirits.

Chu-ch‘ing bears Han-ch‘an, and other river spirits bring gifts. Yü’s childless first wife later takes the boy into her household but keeps him beyond the agreed three months. He becomes ill and dies there; when Yü carries the news to Chu-ch‘ing, he finds the boy alive beside her. She explains that she had sent for him because the time had elapsed. No physical transport mechanism or universal resurrection power is specified. After she bears the twins Han-shêng and Yü-p‘ei, Han-ch‘an returns to his father’s other household, and Yü moves closer to ease the repeated journeys.

The ending follows Han-ch‘an’s educational success and marriage to Miss Chih-niang, daughter of another spirit, before the first wife dies. All three children mourn her, after which Han-ch‘an remains in Hu-nan while the twins return with their father. The narrator admits that his unnamed informant did not remember Yü’s precise home district. Giles supplies the identification of Wu Wang as guardian of crows and annotations about offerings and two pearl-girdle nymphs; those notes are not independent field verification of the complete story. Chu-ch‘ing’s changing roles and household are preserved as one literary individual, not divided into invented bird and river species.

01

Origins & earliest records

Pu Songling’s literary collection, in Giles’s selected English translation.

02

Records & interpretation

Complete English story, attached notes and translator introduction read. No independent Chinese-text collation.

Selected bibliography

Documented works and useful reading. This is not a list of every appearance.

  1. 01

    Strange Stories from a Chinese Studio

    XXXIX, The Man Who Was Changed into a Crow, volume I; electronic notes228–230; complete narrative and all three notes read.

Family & connections

A source-supported family tree or inspiration record has not yet been compiled for this profile. Related reading below indicates a connection in subject matter, not a proven lineage or creative influence.

Primary records and illustrations

Complete English story and every attached note, including continuation paragraphs; complete translator introduction read.

Strange Stories from a Chinese Studio

Volume I, London: Thos. de la Rue,1880. XXXIX, The Man Who Was Changed into a Crow, volume I; electronic notes228–230

Complete cache giles-story-039.txt and master giles-studio-43629.html. Full crow rescue, temple awakening, river household, later feather transformation, children’s apparent death/return, marriages and mourning ending; all notes228–230 read. Unnamed narrator intermediary and uncertain district retained; no independent Chinese collation.

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References

Sources supporting this profile. Linked pages have their own scope and editorial standards.

  1. Historical literary translationStrange Stories from a Chinese Studio — XXXIX, The Man Who Was Changed into a Crow, volume I; electronic notes228–230Research access: 2026-10-06

Image credits

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