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Overview
Akaotu, glossed Fearless by Gill, is the red pigeon Maui selects after refusing other birds offered by Tane. The owner values the tame bird, which recognizes its name and returns to him, and obtains a promise that it will be brought back uninjured. Its red colour helps Buataranga recognize an upper-world visitor because, in this telling, pigeons in Avaiki are not red. Maui’s relation to its body varies within the collected account: he enters the pigeon in one statement, while another has him become a little dragonfly and ride on its back.
Two fierce guardians at the dividing rock seize its tail as it passes but fail to capture the bird. Akaotu waits at a breadfruit tree during Maui’s conflict with Mauike. Before escaping the spreading fire, Maui restores the tail to keep his promise to Tane. The pigeon then carries a fire stick in each claw on the return journey. Buataranga’s assistance prevents another attack at the passage, and the bird lands in a secluded valley named Rupe-tau, the pigeon’s resting place, before being returned to its owner. This is the individually named borrowed carrier; it is not silently identified with the separate Rupe and karaurau birds in Gill’s Ina voyage.
Origins & earliest records
William Wyatt Gill’s Myths and Songs from the South Pacific was published by Henry S. King in London in 1876. Its introductory remarks identify Tereavai and Sadaraka as major contributors, without assigning either every individual narrative.
Records & interpretation
Chapter IV, pp. 52–57, preserves this Mangaian account. Gill’s translation and missionary commentary mediate the witness; the following Manihiki narrative is a separately framed regional version.
Selected bibliography
Documented works and useful reading. This is not a list of every appearance.
- 01
Myths and Songs from the South Pacific, IV: The Exploits of Maui
pp. 52–57. Complete selected Mangaian fire, sky and sun sequence read; original-language expressions retained as printed where used.
Family & connections
A source-supported family tree or inspiration record has not yet been compiled for this profile. Related reading below indicates a connection in subject matter, not a proven lineage or creative influence.
References
Sources supporting this profile. Linked pages have their own scope and editorial standards.
- Historical primary collected witnessGill’s 1876 collected Mangaian narrativeResearch access: 2026-10-05
Image credits
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